Arts & Culture

A Harvard professor’s sculpture translates real-time data into soundscapes.

“Powerhouse of a work” by top contemporary artist Kara Walker is the largest piece in the collection of the Harvard Art Museums.

Visiting professor and Washington Post political columnist E.J. Dionne on how he started as a journalist, self-editing, and the art of persuasion.

Harvard senior Lily Calcagnini’s history and literature concentration places fashion front and center in cultural theory.

Dan Byers wants to build community around contemporary art as new director of the Carpenter Center.

Divinity School alum and indigenous Maskoke person Marcus Briggs-Cloud discusses his efforts to maintain his ancestral language and identity in the next installment of the Gazette’s podcast “Heard at Harvard.”

Professor Maya Jasanoff talks about her new book, “The Dawn Watch: Joseph Conrad in a Global World.”

Since 1996, the Yuchi Language Project has been fighting to preserve the language of the Yuchi people.

Houghton Library displays highlights from the 50,000 pieces inherited from a billionaire collector who was obsessed with the search for transcendence through sex, drugs, and rock ’n ’roll.

Insight from Cassandra Albinson of Harvard Art Museums on the $450.3 million sale of Leonardo da Vinci’s “Salvator Mundi.”

Michael Ondaatje, author of “The English Patient” and other novels, read passages from his work and took questions on his creative process during a Harvard forum.

A Harvard professor’s new book probes the influence of the great ancient poets, such as Homer and Virgil, on Bob Dylan and his music.

Harvard Art Museums has announced a major gift of Dutch Golden Age drawings from the Maida and George Abrams collection.

Author and Harvard alumnus Walter Isaacson takes on the ultimate Renaissance man, Leonardo da Vinci.

The Harvard poet discusses new book of poetry, life as a trans woman, and settling in as as co-poetry editor of The Nation.

Four Harvard professors engage students in a weekly dialogue that looks at wisdom as it relates to how we experience the world, and the strategies we need to have a moral life amid uncertainty. 

Designer Virgil Abloh’s Harvard lecture mirrored his multiplatform career: bold, dynamic, and audacious.

Wynton Marsalis was back at Harvard on Monday night to celebrate the release of the video version of his first lecture performance at Harvard from 2011, “Music as Metaphor,” and to discuss the importance of the arts.

Feejee Mermaid offers haunting image at Harvard’s Peabody Museum of Archaeology and Ethnology.

The poetry of Phillis Wheatley adds power to a film by Harvard scholars that re-creates an 18th-century campus debate on slavery.

A Harvard delegation traveled to Mexico to take part in the inaugural talk of the Eduardo Matos Moctezuma Lecture Series.

Harvard Music Department administrator Lesley Bannatyne’s other life is as a Halloween expert. She has written five books on the topic, including a children’s work.

The Harvard Graduate Council kicked off Worldwide Week with the inaugural International Festival, featuring music and dance by multicultural student groups.

A conversation with Pulitzer Prize-winning scholar Stephen Greenblatt on his new book, “The Rise and Fall of Adam and Eve.”

A profile of Luke Kelly ’19, a history concentrator whose work at Houghton Library has nurtured his award-winning passion for books.

At the Center for Government and International Studies, a small exhibit captures the life and work of an artist influenced by Harvard, by a range of cultural forces, and by the postwar art movements swirling in Europe and New York City in the 1950s and ’60s.

Oula Alrifai, A.M. ’19, and her brother, Mouhanad Al-Rifay, are releasing “Tomorrow’s Children,” a documentary about Syrian child refugees trying to survive in Turkey.

La’Toya Princess Jackson, a master’s of liberal arts candidate in dramatic arts, takes a main role, and learns more than just her part.

Wynton Marsalis shares the stage with President Drew Faust to celebrate the release of his video, based on a lecture series he started at Harvard in 2011.

An interview with George Andreou, who took the helm as new director of the Harvard University Press in September.