Arts & Culture

Based on true experiences, “Hear Word!” at the American Repertory Theater weaves together music, spoken word, dance, and song to tell what Nigerian women endure in a society that puts men first, frequently turns its back on sexual assault and abuse, and values marriage above all else.

Harvard will welcome a trio of filmmaking greats for this year’s Norton Lectures, including legendary documentarian Frederick Wiseman.

In a trip to Iceland over the summer, Joanne Cheung worked with researchers to capture 360-degree video of the changing landscape.

It’s possible to start making concert and theater plans now, when most of the best seats are still available. This is when the year’s big-ticket events are booked and announced, the better to build a buzz around them.

Deaf dancer Antoine Hunter leads a master class that provides lessons in movement and inclusion.

Pianist-composer Matt Aucoin ’12 is now co-artistic director of the American Modern Opera Company, set for Harvard performances Dec. 15-18.

Playwright Kate Hamill’s adaptation of “Sense & Sensibility,” at the A.R.T. through Jan. 14, accentuates Jane Austen’s gift for comedy.

Lawyer and social activist Bryan Stevenson delivered the Tanner Lecture on Human Values, announcing the opening of a memorial to victims of lynching and a museum on the legacy of slavery next April.

This winter, a dozen cultural organizations throughout Greater Boston — including three from Harvard — are partnering to present an ambitious, region-wide exploration of art and technology.

English Professor Martin Puchner talks to the Gazette about his new book “The Written World,” about how literature shaped civilization.

A Harvard professor’s sculpture translates real-time data into soundscapes.

“Powerhouse of a work” by top contemporary artist Kara Walker is the largest piece in the collection of the Harvard Art Museums.

Visiting professor and Washington Post political columnist E.J. Dionne on how he started as a journalist, self-editing, and the art of persuasion.

Harvard senior Lily Calcagnini’s history and literature concentration places fashion front and center in cultural theory.

Dan Byers wants to build community around contemporary art as new director of the Carpenter Center.

Divinity School alum and indigenous Maskoke person Marcus Briggs-Cloud discusses his efforts to maintain his ancestral language and identity in the next installment of the Gazette’s podcast “Heard at Harvard.”

Professor Maya Jasanoff talks about her new book, “The Dawn Watch: Joseph Conrad in a Global World.”

Since 1996, the Yuchi Language Project has been fighting to preserve the language of the Yuchi people.

Houghton Library displays highlights from the 50,000 pieces inherited from a billionaire collector who was obsessed with the search for transcendence through sex, drugs, and rock ’n ’roll.

Insight from Cassandra Albinson of Harvard Art Museums on the $450.3 million sale of Leonardo da Vinci’s “Salvator Mundi.”

Michael Ondaatje, author of “The English Patient” and other novels, read passages from his work and took questions on his creative process during a Harvard forum.

A Harvard professor’s new book probes the influence of the great ancient poets, such as Homer and Virgil, on Bob Dylan and his music.

Harvard Art Museums has announced a major gift of Dutch Golden Age drawings from the Maida and George Abrams collection.

Author and Harvard alumnus Walter Isaacson takes on the ultimate Renaissance man, Leonardo da Vinci.

The Harvard poet discusses new book of poetry, life as a trans woman, and settling in as as co-poetry editor of The Nation.

Four Harvard professors engage students in a weekly dialogue that looks at wisdom as it relates to how we experience the world, and the strategies we need to have a moral life amid uncertainty. 

Designer Virgil Abloh’s Harvard lecture mirrored his multiplatform career: bold, dynamic, and audacious.

Wynton Marsalis was back at Harvard on Monday night to celebrate the release of the video version of his first lecture performance at Harvard from 2011, “Music as Metaphor,” and to discuss the importance of the arts.

Feejee Mermaid offers haunting image at Harvard’s Peabody Museum of Archaeology and Ethnology.

The poetry of Phillis Wheatley adds power to a film by Harvard scholars that re-creates an 18th-century campus debate on slavery.