Harvard jazz leader and instructor Yosvany Terry returns to his musical roots in Cuba, where his destiny was formed.
The Harvard Jazz Bands make and learn music, absorb culture on summer tour of Cuba.
Grammy-winning jazz star Esperanza Spalding and flutist Claire Chase will be Harvard professors starting in the 2017-2018 academic year.
Some inroads finally may be happening for women in jazz, which traditionally has been a man’s musical world.
Pianist and composer Randy Weston visits campus on the eve of Harvard acquiring his personal archive.
Harvard University and Berklee College of Music announced a dual degree program that will let students earn a bachelor of arts degree at Harvard and a master’s degree at Berklee in five years.
A dedicated group of students work hard to make WHRB, Harvard’s 24-hour radio station, run 365 days a year.
Noted jazzman Rufus Reid is teaching Harvard students, and will share his wisdom and musicianship with the public. There will be two events open to the public — on April 6 and 9.
On Thursday, April 7, and Friday, April 8, the Fromm Concerts at Harvard assemble some of the finest musicians in creative music for a series of free ...
“The Art of Jazz: Form/Performance/Notes” explores the interaction between jazz and the visual arts.
Get out your calendars — here are the must-see events at Harvard this spring.
Grammy-nominated saxophonist Yosvany Terry is bringing the music of his native Cuba to campus as a senior lecturer and leader of the Harvard Jazz Ensembles.
Three young Harvard alumni explain the genesis and the process of their making the hit film “Whiplash.”
Jazz pianist Herbie Hancock begins his post as the 2014 Charles Eliot Norton Professor of Poetry at Harvard with some wisdom from Miles Davis. Hancock’s next lecture, “Breaking the Rules” will take place Feb. 12.
Capping his lauded Harvard lectureship, “Hidden in Plain View: Meanings in American Music,” musician Wynton Marsalis visited the Phillips Brooks House for an intimate conversation about his hometown of New Orleans.
Wynton Marsalis and an all-star ensemble gave a capacity crowd at Sanders Theater a musical history of the roots of jazz in New Orleans.
Wynton Marsalis will conclude his six-lecture series at Sanders Theatre on Jan. 30. Tickets, which are free, will be available for the Harvard community on Jan. 28 and the public on Jan. 29.
Jazz trumpeter and composer Wynton Marsalis and his Jazz at Lincoln Center Orchestra treated a Sanders Theatre audience to a master class Thursday evening that re-created a pivotal quarter century of jazz innovation.
Jazz musician and composer Vijay Iyer, who won a MacArthur Foundation grant, in January will become the first Franklin D. and Florence Rosenblatt Professor of the Arts in Harvard’s Department of Music.
Wynton Marsalis will continue his lecture series this month, featuring the Jazz at Lincoln Center Orchestra at Sanders Theatre on Sept. 26.
Artist and composer Wynton Marsalis returned to Sanders Theatre for his fourth lecture-performance at Harvard, an exploration of the strange alchemy of instinct, expertise, and empathy that jazz musicians need to “play and stay together.”
James Wood, Harvard professor and New Yorker critic, talked to the Gazette about his new book, "The Fun Stuff," losing himself in music, and a looser approach to fiction.
The Office for the Arts at Harvard and Harvard’s Department of Music announced that Thomas G. Everett, director of Harvard Bands since 1971, will retire Feb. 15. His Harvard career will be celebrated in various ways at the University, including a Jazz Bands concert dedicated to him on April 13 at 8 p.m. in Sanders Theatre.
Three local jazz figures came to Harvard to explore their passion for the music and its future as a singular American art form.
During a lecture that is part of a series of master classes sponsored by Harvard’s Mahindra Humanities Center, Harvard Professor Ingrid Monson explored the genius behind John Coltrane’s 1965 jazz album “A Love Supreme.”
At Harvard as part of an ongoing lecture and performance series, musician and composer Wynton Marsalis met with the Harvard community for two far-reaching discussions in which music and the arts played seminal roles.
Backed by an all-star band, Wynton Marsalis explored the “mulatto identity of our national music” with a rollicking performance and a thoughtful lecture on America’s porous tuneful genres at Sanders Theatre Feb. 6.
In his new book, noted historian Niall Ferguson sees Europe and America as facing a profound crisis of confidence in what the future holds.
Wynton Marsalis continues his two-year lecture series at Harvard with an exploration of root styles of American music in Sanders Theatre on Feb. 6.
Students from the Boston Arts Academy got some positive reinforcement today when they came to Harvard University for a special panel discussion with celebrated jazz musician Wynton Marsalis.
Before a rapt audience at Sanders Theatre, jazz great Wynton Marsalis explored the history of American dance in the second lecture in a two-year series, "Hidden in Plain View: Meanings in American Music.”
Jazz great Wynton Marsalis played with young musicians from Harvard and Cambridge Rindge & Latin School in a master class.
Harvard sophomore Andrew Kennard discusses his love of jazz and his experience mentoring students at the Cambridge Rindge and Latin School, preparing with them for the arrival of Wynton Marsalis at Harvard.
Photographer Susan Meiselas, Ed.M. ’71, will receive the 2011 Harvard Arts Medal, as part of Harvard's annual Arts First weekend, which runs April 28-May 1.
Musician Fred Ho received the Harvard Arts Medal and performed the premiere of his piece, “Take the Zen Train,” with the Harvard Jazz Bands.
From Puritan psalms to spirituals to Ellington and Coltrain, a Divinity School class explores - and performs - the sacred and musical.
At a Meeting of the Faculty of Arts and Sciences on May 6, 2008, the Minute honoring the life and service of the late Craig Hugh Smyth, Director of Villa I Tatti Professor of Fine Arts, Emeritus, was placed upon the records. Smyth was a promoter of the study and practice of art conservation.