Historian Richard Dunn talks about his new book, a sweeping historical analysis of life on two plantations in Jamaica and Virginia across the final decades of slavery.
A new exhibition at Harvard’s Loeb Music Library, containing items from the Harvard Theatre Collection in Houghton Library, offers visitors a disturbing look at the racist history and enduring legacy of blackface minstrelsy.
The Harvard Film Archive is launching a retrospective of the work of Robert J. Flaherty, a pioneer in documentary film. “Folklore and Flaherty: A Symposium on the First Irish-Language Film” will be held on Feb. 19 from 1:30 to 4 p.m. at the Harvard Film Archive.
In 1944, the young and gifted creators of ‘On the Town’ quietly stirred diversity into their groundbreaking musical, Professor Carol Oja recounts in her new book.
Drawn from a series of family correspondence, letters, diaries, and journals, a new exhibit at the Schlesinger Library offers firsthand accounts of men, women, soldiers, and slaves caught up in the Civil War.
The Harvard Semitic Museum, hosting a retrospective exhibit on its long history and founder David Gordon Lyon, is refurbished, reordered, and increasingly ready for the future.
Visual artist Kara Walker talks about “A Subtlety,” her provocative public art project staged at a defunct Domino sugar factory in Brooklyn last summer.
Poet and memoirist Meghan O’Rourke is using her time as a Radcliffe Fellow to write “What’s Wrong With Me,” a chronicle of her struggles with autoimmune disease.
From the 7-year-old terrified by “King Kong” to the 89-year-old still bravely stepping out on stage, Angela Lansbury reflects on her 70 years in show business.
In 20 years as the director of the Museum of Fine Arts, Boston, Malcolm Rogers has often courted controversy with his enthusiastic embrace not only of new media, but new definitions of art itself. Rogers gave the Lowell Lecture at Emerson Hall on Thursday evening.
A select group of Harvard students witnessed the installation of a kinetic sculpture in the Harvard Art Museums by contemporary German artist Rebecca Horn on Nov. 5.
Harvard Library is sponsoring a series of films by Ukrainian filmmaker Sergei Loznitsa in conjunction with its exhibit “Lives of the Great Patriotic War.” The film series continues Nov. 15 and 17. The exhibit is open through Nov. 26 at the Pusey Library.
Organizing and canvassing for anti-slavery petitions by women from 1833 to 1845 was a transformational training ground for suffragettes and other social activists following the Civil War.
The renovated and expanded Harvard Art Museums reopen on Nov. 16 with a new building designed by Italian architect Renzo Piano that unites the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under one shining glass roof.
After six years, the Harvard Art Museums will reopen to the public on Nov. 16. The renovation and restoration has united the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under a spectacular glass roof. Get an inside look at the Harvard Art Museums’ transformation in Monday’s daily Gazette, which will feature a special edition dedicated exclusively to the renovation and reopening.
Author Russell Banks talks about the search for spiritual meaning, in life and fiction, ahead of delivering the Divinity School’s 2014 Ingersoll Lecture on Immortality. The lecture will be held Nov. 5 at Sanders Theatre.
Pusey Library exhibit “Lives of the Great Patriotic War” is a multimedia glimpse at surviving Jewish veterans whose presence in the Red Army is a little-known story.
A gift to the Harvard Library from William Friedkin, the Academy Award-winning director/producer of such films as “The Exorcist” and “The French Connection,” will mark a new kind of collection for Harvard — cinema memoir.