Arts & Culture

A profile of College student and pop-rocker Brynn Elliott, whose scholarship in philosophy informs her songwriting.

For College student Jasper Johnston ’20, discovering Harvard is a shared experience through Instagram.

“Calm. Smoke rises vertically” at Radcliffe Institute for Advanced Study’s Johnson-Kulukundis Family Gallery is designed for the blind and hearing-impaired, but gives the sighted a unique experience as well.

In winning Phi Beta Kappa’s 2016 Ralph Waldo Emerson Award for “The Murder of William of Norwich,” E.M. Rose, a visiting scholar at Harvard, found recognition by illuminating the real history behind an imaginary event.

New Carpenter Center exhibition examines the challenge of historicizing Chilean art created during the repressive Pinochet regime.

A new library exhibit will explore the 350-year-old relationship between the U.S. military and Harvard University.

College seniors opt to have fun, be themselves, and leave comfort zones through their participation in the Expressions Dance Company.

The Collection of Historical Scientific Instruments’ Special Exhibition Gallery takes visitors back to the golden age of radio.

Pianist and composer Randy Weston visits campus on the eve of Harvard acquiring his personal archive.

Harvard physicist John Huth took some time off from chasing subatomic particles in Geneva to trace his ancestors’ Alpine trek through persecution back to the valleys they called home.

A group of avant-garde women involved in Boston’s community radio scene in the 1970s and ’80s gathered for a soulful reunion that showcased the feminist movement.

The sculptural artist Christo discusses the impetus and execution of his latest projects while speaking at the Harvard Graduate School of Design.

Harry Yeff, better known as beatboxer Reeps One, speaks to the Gazette about finding his voice, bringing it to the classroom, and leaving it on the stage.

Sculptor Nora Schultz, a new VES assistant professor, spoke to the Gazette about her influences, her fascination with robotics, and how her own projects inform her teaching.

Oberon’s presentation of “The Garden” is an intimate, inside-out theater experience for tiny audiences.

Recently the Harvard Art Museums acquired the evocative “A Flor de Piel,” a room-sized tapestry by contemporary Colombian artist Doris Salcedo made of thousands of dyed rose petals stitched together to form a giant burial shroud. For the director of Harvard’s Straus Center for Conservation and Technical Studies, this was a first.

The words “Folding, Refraction, Touch” provided a useful framework for the Busch-Reisinger Museum’s exhibition of works by Wolfgang Tillmans and other modern and contemporary artists in dialogue with the German photographer.

A Harvard Divinity School lecturer says that to understand where the University is, it’s important to see where it’s been.

Artemis Joukowsky worked with Ken Burns on a documentary about his grandparents, Waitstill and Martha Sharp, who helped hundreds escape Nazi death squads in from 1939 to 1940.

As part of our humanities series, Charles Hyman ’19 talks about finding intellectual life in the study of dead languages.

Harvard scholars weigh in on Bob Dylan’s Nobel for literature

Work by MacArthur genius Carrie Mae Weems is showcased in a new exhibit at the Cooper Gallery.

Historian Annette Gordon-Reed outlined disparities between “Hamilton” the sensation and Hamilton the man in a student-sponsored talk.

Legendary Dutch architect Rem Koolhaas discusses the ideas and politics behind his latest projects during a presentation at the Harvard Graduate School of Design

Physicians share how music shapes their lives and impacts their practice when working with patients and even in the operating room.

Professor Henry Louis Gates Jr. looks ahead to welcoming actor-activist Pam Grier to Harvard as a Du Bois medalist.

The Harvard Summer Program in Freiburg, Germany, seeks to broaden the outlook of 20 Harvard students, each of whom is paired with a German student from the University of Freiburg, though a combination of classroom teaching, excursions to important sites in the region, and exposure to the town and its people.

Students will premiere “Calamus” at the Leverett Library Theater on Friday, with shows continuing through the weekend.

Harvard musicologist Carol Oja, currently a Radcliffe fellow, talks about her book in progress examining the desegregation of classical music.

Prior to arriving on campus as Harvard Art Museums director, Martha Tedeschi was the deputy director for art and research at the Art Institute of Chicago. She recently spoke with the Gazette about her new role.