As part of a course on music composition, Harvard students created original works inspired by objects in the Harvard Art Museums collections. Those compositions were recently brought to life by cellist Neil Heyde of London’s Royal Academy of Music at a concert held in the Calderwood Courtyard.
Author ZZ Packer is spending her Radcliffe year working on her newest effort, a novel titled “The Thousands” that tracks the lives of several families following the Civil War through the American Indian campaigns in the Southwest.
In an age of bits and bytes and pixels and text on screens, Harvard Design Magazine — relaunched in a new format last year ― fervently embraces the thingness of print, the quotidian actuality of paper and ink.
In May, Matt Aucoin’s “Crossing” will premiere with the American Repertory Theater as part of the theater’s commemoration of the 150th anniversary of the Civil War.
The new Murty Classical Library of India from Harvard University Press, aiming for 500 volumes over the next century, will reveal to the world a “colossal Indian past” of multilanguage literary history from as far back as two millennia.
The Harvard South Asian Association’s annual arts showcase, called Ghungroo, is a complex coordinated production that draws hundreds of student performers and delighted classmates in the audience.
“Exiled by the sound of the lash” from the slaveholding state of South Carolina, the Grimké sisters came North before the Civil War with rule-breaking ideas on slavery’s wrongs and women’s rights. They represented an antebellum moment in which “women became political.”
Escaped slave and abolitionist Lewis Hayden’s work goes on, through the students who receive the scholarship established in his name at Harvard Medical School.
One of the nation’s largest and most prestigious literary awards, the George Washington Book Prize recognizes the best new books on early American history.
Historian Richard Dunn talks about his new book, a sweeping historical analysis of life on two plantations in Jamaica and Virginia across the final decades of slavery.
A new exhibition at Harvard’s Loeb Music Library, containing items from the Harvard Theatre Collection in Houghton Library, offers visitors a disturbing look at the racist history and enduring legacy of blackface minstrelsy.
The Harvard Film Archive is launching a retrospective of the work of Robert J. Flaherty, a pioneer in documentary film. “Folklore and Flaherty: A Symposium on the First Irish-Language Film” will be held on Feb. 19 from 1:30 to 4 p.m. at the Harvard Film Archive.
In 1944, the young and gifted creators of ‘On the Town’ quietly stirred diversity into their groundbreaking musical, Professor Carol Oja recounts in her new book.
Drawn from a series of family correspondence, letters, diaries, and journals, a new exhibit at the Schlesinger Library offers firsthand accounts of men, women, soldiers, and slaves caught up in the Civil War.
The Harvard Semitic Museum, hosting a retrospective exhibit on its long history and founder David Gordon Lyon, is refurbished, reordered, and increasingly ready for the future.
Visual artist Kara Walker talks about “A Subtlety,” her provocative public art project staged at a defunct Domino sugar factory in Brooklyn last summer.
Poet and memoirist Meghan O’Rourke is using her time as a Radcliffe Fellow to write “What’s Wrong With Me,” a chronicle of her struggles with autoimmune disease.
From the 7-year-old terrified by “King Kong” to the 89-year-old still bravely stepping out on stage, Angela Lansbury reflects on her 70 years in show business.
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