GSAS doctoral students create an exhibit to feature personal albums, photographs, postcards, and maps from Harvard’s rich trove of 20th-century propaganda related to Italy’s late participation in the colonial “scramble for Africa.”
Emancipation, said scholar of African America Ira Berlin in a Harvard lecture series, was not a moment in history, but a century-long movement that preceded the Civil War.
At an early age, Linda Gordon traded her passion for dance to study history. Today, the accomplished author and historian is spending the year at the Radcliffe Institute for Advanced Study working on a book about social movements in the 20h century.
A music professor and director of Harvard’s Studio for Electroacoustic Composition is indulging his fascination with the visual arts as part of a fellowship at the Radcliffe Institute. Hans Tutschku is showing a series of photographs created in collaboration with students from Harvard’s Office for the Arts Dance Program.
Harvard’s Busch-Reisinger Museum opened in 1903 as the Germanic Museum, but since then, in a restless shifting of fates that characterizes many museums, has experienced displacements in space, role, and identity.
Mexican actor Diego Luna came to town to premiere his latest film, “Cesar Chavez,” to the Harvard community before its nationwide release. The film marks Luna’s directorial debut.
Three documentary filmmakers up for an Academy Award this Sunday all have ties to Harvard’s Department of Visual and Environmental Studies, a longstanding, multidisciplinary program with a strong commitment to nonfiction film.
Artist David Taylor’s most recent work is a series of photographs that capture images of the monuments that mark the United States’ border with Mexico, as well as some of the people and activities he encountered in his work. “Working the Line” on display at the David Rockefeller Center for Latin American Studies.
Bearing the lessons that long-term, immersive reporting can teach, journalist Katherine Boo, who writes about poverty, spent a week at Harvard’s Graduate School of Design as a senior Loeb Fellow.
Hip-hop star and actor LL Cool J came to Harvard over the weekend, pulling double duty as host of the Cultural Rhythms festival and the Harvard Foundation’s Artist of the Year.
An experience in Uganda helping orphans get schooling is at the heart of “Witness Uganda,” a new production directed by Diane Paulus at the American Repertory Theater.
Joint exhibitions at Houghton Library and Loeb Music Library mark the 300th anniversary of composer C.P.E. Bach’s birth and the first publication of his complete works, as well as discoveries and acquisitions that were made along the way.
“Fortunes of the Western,” a new series at the Harvard Film Archive, draws back the curtain on the golden age of Westerns following World War II. The series continues through March 22.
Harvard’s Villa I Tatti, a treasure of Italian Renaissance scholarship since 1961, has launched an oral history site on its origins with Bernard Berenson, Class of 1887, and its transition from villa to a center for scholars.