In 20 years as the director of the Museum of Fine Arts, Boston, Malcolm Rogers has often courted controversy with his enthusiastic embrace not only of new media, but new definitions of art itself. Rogers gave the Lowell Lecture at Emerson Hall on Thursday evening.
A select group of Harvard students witnessed the installation of a kinetic sculpture in the Harvard Art Museums by contemporary German artist Rebecca Horn on Nov. 5.
The renovated and expanded Harvard Art Museums reopen on Nov. 16 with a new building designed by Italian architect Renzo Piano that unites the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under one shining glass roof.
After six years, the Harvard Art Museums will reopen to the public on Nov. 16. The renovation and restoration has united the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under a spectacular glass roof. Get an inside look at the Harvard Art Museums' transformation in Monday’s daily Gazette, which will feature a special edition dedicated exclusively to the renovation and reopening.
Architect and curator David Adjaye, co-curator Mariane Ibrahim-Lenhardt, art collector Jean Pigozzi, and Director Vera Grant led an open house and tour of the new Ethelbert Cooper Gallery of African & African American Art, which will open this week.
New director James Voorhies hopes to make the Carpenter Center a more inviting space.
Thomas W. Lentz, director of the Harvard Art Museums, led a panel discussion about the role of the university art museum as a laboratory for learning in an academic setting and in the broader cultural ecosystem.
“From the Alps to the Ocean: Maps of the Western Front,” at Pusey Library through Nov. 11, captures the magnitude and destructive momentum of World War I.
A new gallery at the Harvard Art Museums will display art from various other University institutions.
A collection of the early drawings of the naturalist John James Audubon show his growth into an expert ornithologist and artist. The 114 drawings, created between 1805 and 1821, constitute one of only two such extensive collections of his early work.
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Earlier this year, photograph conservators from the State Hermitage Museum in St. Petersburg, Russia, visited Harvard and shared some treasures held by the Hermitage, many never before seen in the West. Recently, they shared several of these images in digital format.
Visitors to the Materials Collection at the Harvard University Graduate School of Design’s Frances Loeb Library will never be admonished to look without ...
Electronic images can be poor substitutes for images in print—one reason why art and architecture scholars continue to rely heavily on print publications ...
The Harvard Art Museums will open its greatly expanded and renovated home this fall, aligning the Fogg, Sackler, and Busch-Reisinger museums under a massive glass roof.
Artist creates wide-open Web programs to gain personal insights.
Abstract artist Mark Rothko’s series of Harvard murals will be displayed in November using a digital technology that casts light on the paintings to restore their faded colors.
At the Harvard Art Museums, a long-hidden mural is both an example of the true fresco technique and a dramatic reflection of the times. It will be on permanent display when the museums reopen this fall.
Keynote speaker Professor Giuliana Bruno will launch the Harvard Film and Visual Studies Department’s inaugural graduate conference, April 10-12 at the Carpenter Center, with a discussion of her new book, “Surface: Matters of Aesthetics, Materiality, and Media.”
Unbound Visual Arts, a nonprofit based in Allston-Brighton, has organized an exhibit in the Harvard Allston Education Portal.
Christopher E.G. Benfey lectured on "America," a wall designed by Josef Albers, as part of GSD's "Then and Now" series.