During two days of programming at the Harvard Art Museums, scholars, students, and the public explored the significance and innovative conservation of Mark Rothko’s Harvard murals. The events highlighted the murals’ return to public discourse and their new role as potential models for the treatment of aged and damaged art.
As part of a course on music composition, Harvard students created original works inspired by objects in the Harvard Art Museums collections. Those compositions were recently brought to life by cellist Neil Heyde of London’s Royal Academy of Music at a concert held in the Calderwood Courtyard.
Samples of the Wyss Institute’s human organs-on-chips were acquired by The Museum of Modern Art (MoMA) and are on display in MoMA’s latest Architecture and ...
A series of virtual tours enables a deep dive into selected pieces at the Harvard Art Museums.
The Harvard Semitic Museum, hosting a retrospective exhibit on its long history and founder David Gordon Lyon, is refurbished, reordered, and increasingly ready for the future.
Visual artist Kara Walker talks about “A Subtlety,” her provocative public art project staged at a defunct Domino sugar factory in Brooklyn last summer.
In 20 years as the director of the Museum of Fine Arts, Boston, Malcolm Rogers has often courted controversy with his enthusiastic embrace not only of new media, but new definitions of art itself. Rogers gave the Lowell Lecture at Emerson Hall on Thursday evening.
A select group of Harvard students witnessed the installation of a kinetic sculpture in the Harvard Art Museums by contemporary German artist Rebecca Horn on Nov. 5.
The renovated and expanded Harvard Art Museums reopen on Nov. 16 with a new building designed by Italian architect Renzo Piano that unites the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under one shining glass roof.
After six years, the Harvard Art Museums will reopen to the public on Nov. 16. The renovation and restoration has united the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under a spectacular glass roof. Get an inside look at the Harvard Art Museums' transformation in Monday’s daily Gazette, which will feature a special edition dedicated exclusively to the renovation and reopening.
Sign up for daily emails with the latest Harvard news.
Architect and curator David Adjaye, co-curator Mariane Ibrahim-Lenhardt, art collector Jean Pigozzi, and Director Vera Grant led an open house and tour of the new Ethelbert Cooper Gallery of African & African American Art, which will open this week.
New director James Voorhies hopes to make the Carpenter Center a more inviting space.
Thomas W. Lentz, director of the Harvard Art Museums, led a panel discussion about the role of the university art museum as a laboratory for learning in an academic setting and in the broader cultural ecosystem.
“From the Alps to the Ocean: Maps of the Western Front,” at Pusey Library through Nov. 11, captures the magnitude and destructive momentum of World War I.
A new gallery at the Harvard Art Museums will display art from various other University institutions.
A collection of the early drawings of the naturalist John James Audubon show his growth into an expert ornithologist and artist. The 114 drawings, created between 1805 and 1821, constitute one of only two such extensive collections of his early work.
Earlier this year, photograph conservators from the State Hermitage Museum in St. Petersburg, Russia, visited Harvard and shared some treasures held by the Hermitage, many never before seen in the West. Recently, they shared several of these images in digital format.
Visitors to the Materials Collection at the Harvard University Graduate School of Design’s Frances Loeb Library will never be admonished to look without ...
Electronic images can be poor substitutes for images in print—one reason why art and architecture scholars continue to rely heavily on print publications ...