Arts & Culture
‘Stranger Fruit,’ indeed
Art & Photography
By: Sarah Sweeney/
November 12, 2009
Harvard authors who met years ago through social networking produce the book “Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives.”
Musician Fred Ho’s new work, a commission from Harvard’s Office for the Arts and the Harvard Jazz Bands, chronicles the composer’s successful three-year battle with cancer.
The Lab, a three-year experiment orchestrated by David Edwards, Gordon McKay Professor of the Practice of Biomedical Engineering, offers a “forum to help catalyze ideas” across many fields. Stemming from his course “Idea Translation” (ES 147), the exhibition of student-based experiments is designed to morph into an ongoing series of events and “idea nights” open to anyone at Harvard with something to show or say.
Philosopher and classicist Jonathan Lear, this year’s Tanner lecturer, begins his two-lecture look at irony and identity.
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Musician Fred Ho received the Harvard Arts Medal and performed the premiere of his piece, “Take the Zen Train,” with the Harvard Jazz Bands.
While Harvard the institution is picking up the pace on supporting the arts, Harvard the students — as ever — are busy making the arts their “irreplaceable instruments of knowledge.”
Sing sacred, and hide the flute
A timeline of the arts at Harvard begins in 1636, when Harvard was founded, the Massachusetts Bay Colony had barely 10,000 settlers, and wolves howled at the edge of the endless forests.
Students display results from a semester-long dig in Harvard Yard, including a musket ball, a slate pencil, and a piece of print type with the letter “o.”
Radcliffe Fellow and anthropologist Heather Paxson is studying small artisanal cheese operations as “ecologies of production” that are both commercial and moral.
Before Greg Epstein became chaplain at Harvard's Humanist Chaplaincy, he was a rock star. Now he's written a book on Humanism, a religious philosophy that rejects supernaturalism while encouraging virtuous actions and decisions.
The Memorial Church welcomed opera virtuoso Dominique Labelle last week, who was described as genuine and gracious during her master class, proving that divas can be divas without diva behavior.
Painting pictures in our minds
Nobel laureate in literature Orhan Pamuk nears the end of his six-lecture Norton series on the novel’s durable attractions.
Alison Knowles, a pioneering independent artist, takes listeners back to the early days of Fluxus, a group still making art through improvisational performance.
Radcliffe Fellow Godfried Toussaint taps computer science in a search for the evolutionary development of world music’s basic rhythms.
At a Harvard panel, curators of both the fictional and the real explore the museum’s place in culture and literature.
A new permanent art installation in Weld Boathouse is turning heads. Artist Ellen Kennelly '85 took a crash course in flameworking and began these masterpieces in glass.
Islam’s mystical dimensions take flight
A new exhibition at the Peabody Museum of Archaeology and Ethnology explores the mystical dimensions of Islam with a series of photographs and multilayered, mixed-media compositions.
A new exhibit at the Carpenter Center titled "ACT UP New York: Activism, Art, and the AIDS Crisis, 1987–1993" examines the history of the AIDS Coalition to Unleash Power through a series of powerful graphics created by various artist collectives that were part of the influential group.
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