A multicolored tent made of tarps and rope and tree branches and duct tape rose above Yaxchilan’s unique pinkish stalactite stela Monday (April 23). On the last day of the Peabody Museum of Archaeology and Ethnology’s expedition to the ancient Maya city of Yaxchilan, team members were doing something at which they had proven themselves adept: improvising. The expedition had already achieved its main goal: testing digital scanning technology that could provide an important new way to preserve fading Maya monuments across Central America. Despite some initial hiccoughs, the technology had proved itself over the weekend, when scans of the large flat Stela 11 were completed.
Money. Race. Health. War.
That list of potent topics summarizes the first four years of conferences on gender sponsored by the Radcliffe Institute for Advanced Study.
This year’s gender conference (April 12 and 13) added a fifth topic: food, which by some accounts has elements of all the others combined.
COPÁN RUINAS, Honduras – A short drive from the main Maya ruins at Copán, a forested hillside holds a cluster of mounds that Peabody Museum archaeologists believe date from near the end of the great Maya civilization that once dominated the region.
Ruby Dee — civil rights activist, star of stage and screen, and the surviving half of a pair who, for much of the 20th century, reigned as the first couple of African-American theater — made it to Harvard this week.
The Vietnam War was traumatic for many Americans, but far more so for the Vietnamese, 3 million of whom were driven out of their country and scattered across the globe by the war’s end.
The diaspora included many children who grew to maturity with a sense of belonging to two cultures, the one left behind that still haunted and preoccupied their parents and the one that enveloped them in the classroom, the street, the mall, and on television, that seemed bent on changing them into someone their parents no longer recognized.
Einstein’s response to the racism and segregation he found in Princeton was to cultivate relationships in the town’s African-American community. Jerome and Taylor interviewed members of that community who still remember the white-haired, disheveled figure of Einstein strolling through their streets, stopping to chat with the inhabitants, and handing out candy to local children.
In the early 1990s, while still in high school, Anna Schuleit discovered mystery by taking long walks through the deserted grounds of the Northampton State Hospital. This cluster of Victorian buildings — with its iron-bar windows, crumbling red brick, and chest-high grass — touched a deep chord in the young artist.
The Harvard-Radcliffe Orchestra’s fourth concert of the season is Friday, April 20, at 8 p.m. in Sanders Theatre. In addition to the world premiere of the Yannatos Cello Concerto, featuring Matt Haimovitz’ 96, the program also features Brahms’ Symphony No. 2 and Mendelssohn’s Overture to a Midsummer Night’s Dream.
Researchers from the Peabody Museum of Archaeology and Ethnology are preparing to head into the Central American rain forest to begin an ambitious, multiyear project to scan and digitize fading Maya inscriptions and carvings.
Four teenage participants from the Picture Balata workshop made a stop at Harvard this past Wednesday evening (April 11) as part of their two-week tour of the United States. The teenagers, Palestinians from Balata Refugee Camp outside of Nablus, West Bank, visited the Center for Government and International Studies (CGIS), where they displayed their work and spoke about their lives and experiences.
The Harvard Film Archive will host “Reverence: The Films of Owen Land” (formerly known as George Landow) — a touring exhibition celebrating the work of one of the most original and celebrated American filmmakers of the ’60s and ’70s — on April 16. The program, which includes 15 shorts ranging from between 3 and 22 minutes long, will kick off at 7 p.m. General admission is $8 ($6 for students and seniors).
Many of the paintings and drawings in the Fogg Museum’s new exhibition “The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle” are astounding for their jewel-like detail and trompe l’oeil realism, but to regard them as a higher sort of eye candy would be to miss the point.
On exhibit at the Harvard University Art Museums are wide and deep collections that range from ancient Greece statuary to Ottoman textiles to Max Beckmann masterpieces to contemporary American graphic arts. As stunning and numerous as are the objects on display, significant portions of the museums’ collections are not always up on the walls but are, nevertheless, available to students and other scholars. Study rooms and curatorial assistance are available to researchers and students to give them a chance to study these original works of art — firsthand.
World War II has been called “The Good War,” often in contrast to later conflicts whose moral justification is seen as more ambivalent.
But how did the Good War become good, and what aspects of it had to be suppressed to qualify it for that title? Three scholars attempted to answer that question at a symposium March 9 titled “Cultural Impacts of World War II.” The event was sponsored by the Charles Warren Center for Studies in American History and was part of the center’s 2006-07 workshop on “Cultural Reverberations of Modern War.”
When American women won the right to vote in 1919, the logical question was, What next? Suffragists had the answer ready: full enjoyment of civil and domestic life for women, equal to that of men.
But suffragists found out that what was next was not much. It would be decades before American women gained anything like gender equality in the home, in the workplace, and in higher education.
And they faced another unsettling fact: Flappers were next. To the dismay of early feminists, these unruly daughters of feminism were driven by an apolitical appetite for clothes, boys, and the outward signs of freedom.
Twentieth century American historian Susan Ware will lead another workshop group. She’s an independent scholar who has written several biographies, including one of Earhart. At the Radcliffe Institute from 1997 to 2005, Ware was editor of volume five of the biographical dictionary “Notable American Women.”
One of the more melodic pleasures offered to the Harvard community is the University Hall Recital Series, an intimate, lunchtime treat held in the Faculty Room at University Hall. Under a sky-high ceiling and crystal chandeliers, and surrounded by formal paintings of notable Harvard faculty and busts of notable historical figures, listeners settle themselves in for short but stirring musical recitals.
James Rothenberg is a leading figure in the investment world as well as being Harvard University’s treasurer and a member of the Harvard Corporation and Board of Overseers.
The Harvard Black Men’s Forum (BMF) will present the 2007 Woman of the Year award to acclaimed actress, producer, director, and choreographer Debbie Allen. The presentation of the 2007 award — scheduled for March 10 at the Boston Fairmount Copley Hotel — will be the highlight of the 13th annual “Celebration of Black Women: Honoring Everyday Heroes.”
The Boston Landmarks Orchestra will celebrate the 200th anniversary of the birth of poet Henry Wadsworth Longfellow (1807-1882) with a March 25 tribute at Sanders Theatre.
Music lovers will soon have a chance to hear pieces by some of the most influential classical composers working today performed by one of the most honored groups of players specializing in new music. And it’s all free!
An enlarged news photo, flaunting its rough pattern of halftone dots, shows a man in jeans, a military overcoat, and a fedora striding toward the camera. Judging by his wide grin he seems to be enjoying himself hugely, but his downcast eyes convey that it is a private enjoyment, not shared by the uniformed police who stand stiffly on either side. Across the photo, in a black scrawl, are the words “Demokratie ist lustig” — “democracy is merry.”
The man is the German artist Joseph Beuys (1921-1986), and the photo records the moment in 1972 when he was escorted from the Art Academy of Düsseldorf after being dismissed from his faculty position for opening his classes to anyone who wanted to attend. It was Beuys himself who transformed the news photo into a work of art, simply by designating it as such.
The Arthur and Elizabeth Schlesinger Library on the History of Women in America invites Harvard undergraduates to make use of the library’s collections with competitive awards (ranging from $100 to $2,500) for relevant research projects.
Mary Gitagno plainly remembers the pain of her traditional Tanzanian tribe’s female circumcision ritual. It is a pain she determined her own daughters would never feel.
In the years since, Gitagno went far beyond sparing her daughters from female genital mutilation, beginning a nonprofit organization to lobby the government and educate the public about the dangers of such practices.
Svetlana Boym leads a double life. Her faculty Web page identifies her as the Curt Hugo Reisinger Professor of Slavic Languages and Literatures and Professor of Comparative Literature. She is the author of several scholarly books and teaches courses with titles like “Memory and Modernity” and “Russian Culture from Revolution to Perestroika.”
The phrase “rich ethnic and cultural diversity” seemed like an understatement at last Saturday’s (Feb. 24) Cultural Rhythms extravaganza. This year’s event was energized by the appearance of the Artist of the Year Laurence Fishburne, the mightily accomplished actor, director, producer, and humanitarian.
When Eve Blau speaks of Milan Lenuci, the city surveyor of Zagreb in the late 19th century, a note of reverence enters her voice.
“He’s one of our great heroes,” she says.
Lenuci’s finest accomplishment was the “Green Horseshoe,” a U-shaped series of parks and promenades surrounding Zagreb’s center and providing a refreshing refuge from urban traffic and noise. But what Blau admires even more than the work itself is the way Lenuci managed to bring it into being.
Paul Oliver, probably the world’s foremost scholar of the blues, first heard African-American vernacular music during World War II when a friend brought him to listen to black servicemen stationed in England singing work songs they had brought with them from the fields and lumber camps of the Deep South.
Oliver was enthralled by the rhythm and drive of the music and the spontaneous interweaving of harmonies, and wanted to hear more. His fascination led him on a 60-year quest that has included numerous field trips through the American South interviewing, recording, and photographing blues musicians.
Six years after sweeping across Asia, the Korean wave hit Cambridge with a crash on Friday (Feb. 16) during a panel at Harvard’s Kennedy School of Government.
“Korean wave” – or Hallyu – refers to the sizzling popularity of South Korean popular culture throughout Asia. From the Philippines and Malaysia, to Singapore, Japan, and China, prosperous and democratic South Korea is a benchmark of the hip – in television dramas, movies, pop music, clothes, electronics, and even hairdos.
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