Since 1992, Arts First has had a profound effect on more than just the students who go on to become professional artists.
Childhood cancer survivor Taylor Carol found hope through music and turned it into his thesis.
In Carpenter Center discussion, musicians Amanda Palmer and Damon Krukowski talk about what's been lost in the transition from analog to digital recording.
Aislinn Brophy was one of the first to study Theater, Dance & Media when the concentration launched two years ago, and believes her pioneering experience bodes well for the future.
Some inroads finally may be happening for women in jazz, which traditionally has been a man’s musical world.
A new study suggests that infant-directed song evolved as a way for parents to signal to children that their needs were being met, while leaving time for other tasks, like food foraging or caring for other offspring.
Central to Lowell House renewal is Otto Hall, named in recognition of a gift from Alexander Otto ’90, M.B.A. ’94.
A Wintersession course studied compassion and suffering through the lenses of dance, music, and science.
Pianist and composer Randy Weston visits campus on the eve of Harvard acquiring his personal archive.
Harry Yeff, better known as beatboxer Reeps One, speaks to the Gazette about finding his voice, bringing it to the classroom, and leaving it on the stage.
Harvard scholars weigh in on Bob Dylan’s Nobel for literature
Harvard University and Berklee College of Music announced a dual degree program that will let students earn a bachelor of arts degree at Harvard and a master’s degree at Berklee in five years.
A Harvard Business School economist discusses the heated dispute between the music business and the tech industry over the federal law that governs the use of copyright-protected music on the Internet.
Soon to become a Fulbright scholar, Kapena Baptista ’16 finds histories in his heritage, and plans to teach.
The annual Arts First festival showcased many forms of imaginative expression and creativity across Harvard.
South Carolina native Joshuah Campbell, who is graduating with joint degrees in music and French, has discovered the serious side of performing.
Legendary tenor and opera director Plácido Domingo was masterful in a charming conversation called “Giving Voice” at Sanders Theatre.
Legendary tenor and opera director Plácido Domingo will be celebrated in a conversation called “Giving Voice” on April 14 at Sanders Theatre.
On Thursday, April 7, and Friday, April 8, the Fromm Concerts at Harvard assemble some of the finest musicians in creative music for a series of free ...
Grammy-nominated saxophonist Yosvany Terry is bringing the music of his native Cuba to campus as a senior lecturer and leader of the Harvard Jazz Ensembles.
Radcliffe fellow, composer, and sound artist Reiko Yamada’s interactive sound installation “Reflective” invites visitors to interact with piano music composed by Harvard Professor Vijay Iyer. The music changes depending on the direction of the visitor’s steps.
HARMONY — one of Phillips Brooks House Association’s more than 70 volunteer programs — provides instrumental and vocal instruction for children in the Cambridge Public Schools.
Three young Harvard alumni explain the genesis and the process of their making the hit film “Whiplash.”
Arts First, Harvard’s spring weekend festival, embraces creativity, audience participation.
The International Contemporary Ensemble (ICE), writes The New York Times, is “one of the most accomplished and adventurous groups in new music.” On Friday ...
Performance artist Laurie Anderson delved into her inspirations and motivations as she gave the Music Department’s Louis C. Elson Lecture.
Conductor John Eliot Gardiner has been appointed the Harvard Music Department’s inaugural Christoph Wolff Distinguished Visiting Scholar in the Music ...
A staff profile of Alex Calabrese, who splits time between working as a lifeguard at Harvard and performing with his band, Neversink.
Max Tan ’15 will be the featured violin soloist during a March concert by the Boston Philharmonic Youth Orchestra.
LL Cool J, recording artist, actor, author, and philanthropist, has been named the 2014 Harvard University Artist of the Year.
The Fromm Players at Harvard presents its annual two-concert series of new music works February 28 and March 1 at 8 p.m. in John Knowles Paine Concert ...
Capping his lauded Harvard lectureship, “Hidden in Plain View: Meanings in American Music,” musician Wynton Marsalis visited the Phillips Brooks House for an intimate conversation about his hometown of New Orleans.
Wynton Marsalis will conclude his six-lecture series at Sanders Theatre on Jan. 30. Tickets, which are free, will be available for the Harvard community on Jan. 28 and the public on Jan. 29.
A different noise filled the Dunster House dining hall on Dec. 5. The clinking of silverware, scraping of chairs, and chatter of students was replaced by singing and orchestra music from the 42nd Dunster House “Messiah” Sing.
Though it has been embraced by everyone from advocates for arts education to parents hoping to encourage their kids to stick with piano lessons, two new studies conducted by Harvard researchers show no effect of music training on the cognitive abilities of young children.
Rulan Chao Pian, an eminent scholar of Chinese music, an influential Chinese language teacher, and a mentor to students and younger colleagues in China, ...
Carolyn Abbate, one of the world’s most accomplished and admired music historians, has been named a University Professor. Her appointment as the Paul and Catherine Buttenwieser University Professor will take effect on Jan. 1, 2014.
The Harvard University Department of Music is delighted to announce that the Parker Quartet will become part of the Music Department teaching faculty at ...
Jazz musician and composer Vijay Iyer, who won a MacArthur Foundation grant, in January will become the first Franklin D. and Florence Rosenblatt Professor of the Arts in Harvard’s Department of Music.
The Harvard Department of Music and the Office for the Arts at Harvard are pleased to announce the appointment of Jason Robert Brown as Blodgett ...
According to a recent Strategic National Arts Alumni Project survey of more than 33,000 arts alumni, skills developed as arts majors are “applicable for ...
Gerhard Sonnert, a research associate at the Harvard-Smithsonian Center for Astrophysics, has created a new website that allows listeners to literally hear the music of the stars.
For the first time, students at Harvard Medical School in the Longwood area are participating in the annual Arts First festival, the University’s four-day celebration of the visual, literary, and performing arts.
Artist and composer Wynton Marsalis returned to Sanders Theatre for his fourth lecture-performance at Harvard, an exploration of the strange alchemy of instinct, expertise, and empathy that jazz musicians need to “play and stay together.”
Wynton Marsalis is returning to Harvard to continue his two-year lecture series, “Hidden in Plain View: Meanings in American Music,” with a talk on improvisation at Sanders Theatre on April 17.
Robert Levin, the inaugural Dwight P. Robinson Jr. Professor of the Humanities at the Department of Music at Harvard, will retire from the University in ...
James Wood, Harvard professor and New Yorker critic, talked to the Gazette about his new book, "The Fun Stuff," losing himself in music, and a looser approach to fiction.
Grad students discussed issues of appropriation and collaboration during “Africa Remix: Producing and Presenting African Musics Abroad” at the Barker Center.
At a Meeting of the Faculty of Arts and Sciences on December, 4, 2012, the Minute honoring the life and service of the late John Milton Ward, William Powell Mason Professor of Music, Emeritus, was placed upon the records. Professor Ward was an inventor of many areas of research that later contributed to the broadening of the field of musicology and was the founder of the Harvard Archive of World Music, which began with recordings from his collection.
A film and a discussion at Radcliffe's Schlesinger Library highlight Girls Rock Camp, which teaches girls and young women during summer sessions to find their inner musicians, shed some inhibitions, and celebrate themselves.