The New College Theatre has yet to see its first performance, but already the building seems to echo with audience laughter and the pleasant dissonance of a tuning orchestra. In the lobby, one can almost hear a whisper of “break a leg” or the clink of glasses at a postproduction fête rising faintly from the polished wooden floorboards. More than 100 years of theatrical history live on in the New College Theatre, and a special exhibition now on display throughout the building will help to preserve that legacy.
In 1973, the Supreme Court, in Roe v. Wade, ruled that the U.S. Constitution protects a woman’s right to an abortion. But where did that right come from? The Constitution…
Verbs evolve and homogenize at a rate inversely proportional to their prevalence in the English language, according to a formula developed by Harvard University mathematicians who’ve invoked evolutionary principles to study our language over the past 1,200 years, from “Beowulf” to “Canterbury Tales” to “Harry Potter.”
Harvard’s newest space dedicated to the performing arts, the New College Theatre — formerly the site of the Hasty Pudding Theatre, located at 10-12 Holyoke St. — will open this fall under the auspices of the Faculty of Arts and Sciences (FAS) and managed by the Office for the Arts at Harvard (OFA).
Medieval history comes to life at Harvard University on Oct. 18, when students and guest musicians collaborate in the North American premiere of an 800-year-old chant repertory from Harvard’s Houghton Library.
Harvey Mansfield wants to reintroduce the concept of thumos into political science. As employed by Plato and Aristotle, thumos refers to the “part of the soul that makes us want to insist on our own importance.” Mansfield believes that modern political science has excluded thumos, and as a result has narrowed its understanding of what politics is really about.
The historical two-day celebration of Drew Faust’s inauguration as the president of Harvard began Thursday (Oct. 11) on a literary note. Nobel Prize-winning novelist Toni Morrison read from a work-in-progress…
A muster of remarkable musicians who also happen to be Harvard graduates gathered in Sanders Theatre Thursday night (Oct. 11) to serenade the soon-to-be inaugurated University President Drew Faust. The…
A masinko is about as simple as a stringed instrument can get — a wooden box with a neck protruding from one corner and a single string stretched across its face. The one Setegn Atanaw plays is the amplified version, airbrushed in red and yellow like a Fender Stratocaster.
Plaster reproductions of Maya and Aztec carvings, which preserve precious details now lost on the originals, are leaving dusty, haphazard storage for cleaning, cataloging, and crating that will prepare them for a new era of usefulness and relevance.
By all accounts, Daniel Patrick Moynihan was a funny man with a wide-ranging, brilliant, synthesizing mind. At the same time, many of his friends say, he had a gift for dramatic language that sometimes overshadowed his true intentions.
Before he was a United States senator from New York, before he was ambassador to India, before he taught government at Harvard, Daniel Patrick Moynihan (1927-2003) served as assistant secretary of labor under Presidents Kennedy and Johnson, and it was in that capacity that he issued a report in March 1965 titled “The Negro Family: The Case for National Action.”
In conjunction with the Oct. 12 inauguration of Drew Faust as president of Harvard, the Harvard University Archives has developed two special exhibitions that highlight the history of Harvard, its governance, and its presidency.
For artists of the Renaissance, the key to truth and beauty lay in the past. Renaissance artists assiduously studied the sculptures and monuments of Greece and Rome and emulated them in their own work. The inspiration they found in those ancient models has echoed down the centuries, influencing the appearance of Western art and architecture to this day.
It’s been half a century, but it feels like just yesterday for at least one member of the “Little Rock Nine.” “I can’t feel this so strong, it doesn’t make sense … you are supposed to be over it,” says an emotional Minnijean Brown Trickey in the opening of the film “Little Rock Central High: 50 Years Later,” as she walks the grounds in front of the historic Arkansas site. The school was at the heart of the Civil Rights Movement.
Headed by University of Guelph English professor Ajay Heble, the international “Improvisation, Community, and Social Practice” project recently secured a $2.5 million grant from the Social Sciences and Humanities Research Council of Canada. Harvard affiliates Ingrid Monson, Quincy Jones Professor of African-American Music, and Jason Stanyek, visiting associate professor of music, are among the project’s research collaborators. All told, researchers representing 18 universities from across North America, Europe, and Australia will work as co-investigators on the seven-year initiative.
The Harvard Map Collection’s atlases of historic Cambridge have much to reveal about the city and the University’s past. Looking at these oversized documents one learns, for instance, that 135 years ago, Harvard students boarded their horses in the University stables where the current-day John Harvard’s Brew House operates, and that, as of 1903, the John Harvard statue sat not outside University Hall but by Memorial Hall. Now the Map Collection has made it easier for those researching local history to use its Boston and Cambridge atlases by digitizing these volumes and making them available online to the public.
From the New Left to the sexual revolution, scholarship on 1960s America has focused primarily on social protest and the counterculture. Now, John McMillian, a lecturer on history and literature, plans to expand how we think about one of the nation’s most complex and colorful eras.
Most bumper sticker slogans do not originate in academic publications. However, in the 1970s, Laurel Thatcher Ulrich penned in a scholarly article about the funeral sermons of Christian women that “Well-behaved women seldom make history.” The phrase subsequently gained wide popularity, appearing on T-shirts, coffee mugs, and other items — and it’s now the title of Ulrich’s latest book
This summer, five Harvard College students exchanged dorm life for West African village life to investigate the role of music and dance in Malian culture. As participants in Harvard’s summer study-abroad program “Music and Dance in Mali — Ethnography in Practice,” the students had the opportunity to live among and learn from some of the most talented artists in Mali.
The Center for the Technical Study of Modern Art (CTSMA), a leading research center of the Harvard University Art Museums, has announced a major gift of Barnett Newman’s studio materials and related ephemera through the generosity of The Barnett and Annalee Newman Foundation.
Peter A.B. ’52, M.B.A. ’54 and Anne Brooke of Boston have announced plans to bequeath their collection of 17th century Dutch and Flemish paintings to the Harvard University Art Museums (HUAM).
In the 1930s when Boston bookbinder and society matron Rosamond B. Loring (1889–1950) was unable to find ornamental papers she considered good enough to serve as end leaves for her books, she took matters into her own hands, teaching herself to make what are known in bookbinding as “decorated papers.” Her initiative, especially with paste papers, led to a revival in the craft and to an extensive personal collection comprising some 10,000 pieces, examples of which are on display at Houghton Library as part of a new exhibition.
Here’s a party for you. Julius Caesar is sipping wine with Don Juan, Figaro, Mozart, and an art teacher from the Bronx. Two atomic bomb theorists are in deep conversation, while a troubled teenager talks with his 6-foot rabbit. A South African satirist is there in drag. A Jewish trick-rope artist brings a circus tent of odd friends. Shakespeare is there, too. He brought a lost play.
Ancient cities arose not by decree from a centralized political power, as was previously widely believed, but as the outgrowth of decisions made by smaller groups or individuals, according to a new study from researchers at Harvard University, the University of Cambridge, and the University of Edinburgh.
Activist, author, psychiatrist, and playwright Nawal El Saadawi delivered the Harvard Committee on African Studies’ annual Distinguished African Studies Lecture on Oct. 9 in the Tsai Auditorium at the Center for Government and International Studies.
On a sultry August day three decades ago, historian Jean Strouse ’67 stopped in Harvard Square to buy daisies. She walked on to the nearby grave site of diarist Alice James, who died in 1892.
Featured series 
Gallery
