Michael Meo, who will graduate from the Harvard Graduate School of Design in May, led 22 people of all ages and abilities on a grueling 1,000-mile bicycle trek through the Mexican desert, which became the subject of his master's thesis.
The American Repertory Theater’s new season takes aim at some important topics, including class, gender identity, turning points in Irish and Argentinian history, and the crisis facing American education.
An exhibit at Houghton Library marking the 400th anniversary of Shakespeare's death includes artifacts that recognize the acting and activism of black Shakespearean actors.
A large-scale, audio-video installation uses the Fukushima nuclear disaster as a starting point to examine the fragility of humanity. “Ah humanity!” was created by Harvard artists Ernst Karel, Véréna Paravel, and Lucien Castaing-Taylor.
Playwright and director Ifeoma Fafunwa brings the hopes and challenges of Nigerian women to Harvard with “Hear Word!,” making its U.S. premiere at the Harvard Dance Center this weekend.
The New York Times’ chief film critic, A.O. Scott, visits Harvard to discuss his new book, “Better Living Through Criticism,” on Thursday.
Conan O’Brien spoke with President Drew Faust about how his humanities education made him one of TV’s most successful comedians.
Sculptures and drawings are part of “Pneuma(tic) Bodies,” which opens today at the Carpenter Center for the Visual Arts with a 6 p.m. dance performance featuring Jill Johnson.
Actors Ali MacGraw and Ryan O'Neal returned to Harvard to revisit the scene of their iconic movie "Love Story."
The documentary “Waking in Oak Creek” was the final installment of the Religion Refocused series, sponsored by the Pluralism Project at Harvard. The screening was aimed at bringing the conversation around the incident to Cambridge, as was a panel discussion afterward.
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Amy Brenneman and Sabrina Peck, who connected over their love of theater while undergrads at Harvard, are longtime collaborators. Last week they came back to Harvard to teach a workshop on how to create original theater from personal experience.
Learning how to connect with your audience, young or old, is a key tenet at the A.R.T. Institute, where careers in acting, dramaturgy, and voice training take shape.
Peter Galison and Robb Moss’ documentary “Containment” is an unflinching look at the challenges of nuclear waste disposal.
Harvard’s Cabaret, a collaboration between graduate students at the A.R.T. Institute and Harvard undergrads, mixes song, dance, mischief, and monologue.
Diane Quinn has been named executive director of the American Repertory Theater, Harvard University and the Board of Trustees of the A.R.T. announced on Nov. 9.
New show explores the meeting of art and illness with help from the work of author Ayn Rand and composer Ludwig van Beethoven.
New concentration brings excitement by merging three disciplines and capitalizing on Harvard’s vast creative resources.
Dave Malloy traces the inspiration for “Ghost Quartet,” set to run at Oberon Sept. 9-12, to the scary stories of his youth.
Singer-songwriter Sara Bareilles is returning to her musical-theater roots as the composer of “Waitress,” which opens at the American Repertory Theater this weekend.
More than 75 years after being expelled from his homeland by the Nazis, Austria-born Martin Karplus, a Harvard theoretical chemist and Nobel laureate, returned to Vienna in May in triumph — and as a film star. The mid-June American release of “Martin Karplus — The Invisible Made Visible” yet to be announced.