Sculptures and drawings are part of “Pneuma(tic) Bodies,” which opens today at the Carpenter Center for the Visual Arts with a 6 p.m. dance performance featuring Jill Johnson.
Actors Ali MacGraw and Ryan O'Neal returned to Harvard to revisit the scene of their iconic movie "Love Story."
The documentary “Waking in Oak Creek” was the final installment of the Religion Refocused series, sponsored by the Pluralism Project at Harvard. The screening was aimed at bringing the conversation around the incident to Cambridge, as was a panel discussion afterward.
Amy Brenneman and Sabrina Peck, who connected over their love of theater while undergrads at Harvard, are longtime collaborators. Last week they came back to Harvard to teach a workshop on how to create original theater from personal experience.
Learning how to connect with your audience, young or old, is a key tenet at the A.R.T. Institute, where careers in acting, dramaturgy, and voice training take shape.
Peter Galison and Robb Moss’ documentary “Containment” is an unflinching look at the challenges of nuclear waste disposal.
Harvard’s Cabaret, a collaboration between graduate students at the A.R.T. Institute and Harvard undergrads, mixes song, dance, mischief, and monologue.
Diane Quinn has been named executive director of the American Repertory Theater, Harvard University and the Board of Trustees of the A.R.T. announced on Nov. 9.
New show explores the meeting of art and illness with help from the work of author Ayn Rand and composer Ludwig van Beethoven.
New concentration brings excitement by merging three disciplines and capitalizing on Harvard’s vast creative resources.
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Dave Malloy traces the inspiration for “Ghost Quartet,” set to run at Oberon Sept. 9-12, to the scary stories of his youth.
Singer-songwriter Sara Bareilles is returning to her musical-theater roots as the composer of “Waitress,” which opens at the American Repertory Theater this weekend.
More than 75 years after being expelled from his homeland by the Nazis, Austria-born Martin Karplus, a Harvard theoretical chemist and Nobel laureate, returned to Vienna in May in triumph — and as a film star. The mid-June American release of “Martin Karplus — The Invisible Made Visible” yet to be announced.
Three young Harvard alumni explain the genesis and the process of their making the hit film “Whiplash.”
Gloria Hong ’15 won the Grand Jury Prize at the Girls Impact the World Film Festival for her short documentary, “Losing Sight, But Gaining a Vision” The film was made while Hong was enrolled in “African and African American Studies 109,” taught by Joanna Lipper.
Damian Woetzel was honored with the Harvard Arts Medal in a ceremony Thursday at Farkas Hall.
The life and art of Mark Rothko are examined in the new play “Red,” to be performed at Harvard Art Museums.
“Harvard Voices,” sponsored by the Harvard University Committee on the Arts, united a cross-section of artistic influences and University arts resources.
A Harvard senior creates a student-run show for his senior project. The work grew out of his special concentration in theater arts and performance. “OSCAR at The Crown and the love that dare not speak its name” runs April 15 and 16 at 8 p.m. and April 17 at 10:30 p.m.
Written approximately 20 years after Elie Wiesel was freed from imprisonment in the Auschwitz, Buna, and Buchenwald concentration camps, “The Choice” is having a staged reading at Sanders Theatre on Sunday. It marks a premiere for the recently rediscovered work.