Marcus Schenck raises both arms in the air during a scene in the Lowell House Opera.

Lowell House Opera performs “Postcard from Morocco” by Dominick Argento. Baritone Marcus Schenck (center) and cast share the stage in the Lowell House dining hall, which has been transformed into a train station.

Photos by Niles Singer/Harvard Staff Photographer

Campus & Community

A ride on the Marrakesh Express

2 min read

‘Postcard from Morocco’ brings opera back to Lowell House

After an eight-year hiatus, Lowell House Opera returned to its historical performance space — the Lowell House dining hall — with a production of “Postcard from Morocco.” Set in a train station in 1914, the opera explores the human mind through seven travelers, each of whom is characterized by a possession.

The February performances marked the company’s homecoming after having moved their productions to other campus venues during the two-year renovation of Lowell House, with COVID-19 causing a further delay.

For its winter performance, set designers used stained glass film to cover the dining hall’s windows and had colored lights cast architectural shadows; together they transformed the space into a bustling train station.

“We really value an equal playing field for seasoned professionals and emerging artists,” said Benjamin Rossen ’23, the Lowell House Opera’s executive director, as well as “Postcard’s” music director and conductor.

Among the show’s cast, orchestra, and crew are Harvard students, alumni, a faculty member, professional opera singers, and students from several Boston-area schools.

Planning for the show started in the summer of 2024. Between mid-January and opening night on Feb. 21, performers rehearsed three to four hours a day to prepare for their roles.

“The performers inhabited their roles with astonishing ease,” said stage director Haley Stark ’25. “With minimal direction, they brought their characters to life in ways that felt deeply intuitive.”

The Lowell House Opera is already working on its next production, “Parade in Concert: The Trial Behind the Tragedy,” in collaboration with Harvard Hillel. Performances will be held at Harvard Hillel on April 26-27.

Benjamin T. Rossen ’23, Music Director and Conductor, conducting the musicians.
Conductor and music director Benjamin T. Rossen ’23 leads the orchestra.
Chen Wine performs as “A lady with a hand mirror.”
Coloratura soprano Chen Wine sings “A Lady With a Hand Mirror.”
Marcus Schenck (top) and Leo Balkovetz perform a scene together.
Marcus Schenck (top) and tenor Leo Balkovetz perform a scene together.
Alicia Chu ’28 performs the role of “a foreign singer.”
Alicia Chu ’28 in her role as “a foreign singer.”
Leo Balkovetz (left) and Chen Wine perform together.
Leo Balkovetz (left) and Chen Wine embrace during their performance.
Audience members look on as the cast performs a dramatic moment.
A dramatic moment draws the audience’s full attention.