“I went to Central Asia to work on Wakhi music and soon came to know of Qurbonsho, a poet-singer who lives on the Tajik side of the river,” he said. “I was always curious about the Wakhis living on the Afghan side, but in 2012–13, as a Fulbright scholar, I wasn’t allowed to cross into Afghanistan.”
The border had been negotiated long ago by Britain and Russia, and Wolf was intent on crossing it, but the effort took years. In 2015, he returned to Tajikistan with names of Wakhi poets, musicians, and their villages in hand. He and his small team drove for several days until the road came to an abrupt end: Melting snow had descended in torrents off the mountaintops and washed out the road and many settlements. Wolf and his companions were forced to continue into Upper Wakhan by foot, yak, and donkey. In village after village, he would hear of Daulatsho, who seemed to be everyone’s teacher as well as the composer of most modern Wakhi songs. Wolf arrived at Daulatsho’s village of Yur (alt. 10,500 ft) only to find that the musician had retreated to the higher pastures where Wakhis graze their cattle in the summer months. The poet-singer finds much creative inspiration in the high mountain flowers, fields, rocks, and rushing water.
“I left word that I’d return the next year. In July 2016, Daulatsho was ready for me and set me up in a one-room house. But I didn’t get much of a chance to see what was going on in the village. So I proposed making a film in order to have an excuse to see more of the village,” he said.