Maxim Pozdorovkin and Joe Bender, graduate students in Harvard’s Department of Slavic Languages and Literatures and Department of Romance Languages and Literatures, respectively, have captured Kazakhstan’s dramatic emergence in a documentary film titled “Capital.”
On Monday (Feb. 9), a team of experts assembled at Harvard’s John F. Kennedy School of Government (HKS) to examine the history and profound impact of the tall, awkward, self-taught man from rural Kentucky who is credited with bringing about an end to slavery and saving the nation’s cherished founding principle of democratic rule.
Harvard University is taking the first steps recommended in December by its Arts Task Force, including finding more gallery space in existing buildings and creating a Web portal that will ease access to seeing, hearing, and learning the arts in practice.
He’s attained fame as an award-winning actor and musician, founded a political party and run for president of his native Panama and served as the Panamanian minister of tourism, but now Rubén Blades LL.M. ’85 will add another credit to his resume: Harvard College Library benefactor.
The images on the walls of the intimate gallery at 104 Mt. Auburn St. are hauntingly evocative. In “Black Friar,” a hooded figure stares out of the darkness, his gaze intense and unsettled. An opposing image, “Every Moment Counts,” offers a modern approach to Jesus, as a beloved disciple leans against the body of the Christ-like figure whose eyes are fixed on the heavens.
The W.E.B. Du Bois Institute at Harvard University recently gave a Masonic membership certificate signed by Prince Hall, a minister, abolitionist, and civil rights activist known as the father of Black Freemasonry in the United States, to Houghton Library.
An intimate relationship between the residents of Harbin city in northeastern China and their mother river, the Songhua. A revealing insight into the personal struggles and national identity of Sudanese potters on the banks of the White Nile. These are the subjects of two ethnographic films premiering Feb. 11 at the Peabody Museum of Archaeology and Ethnography.
For nearly a decade, Melissa McCormick, John L. Loeb Associate Professor of the Humanities, has been absorbed in the study of elaborate works of fiction. The themes she encounters — love, temptation, even family drama — are timeless. The format — narrow horizontal scrolls of mulberry paper, with hand-painted images and columns of calligraphy — places her project squarely in late medieval Japan.
The year 2009 marks the 200th anniversary of the birth of Abraham Lincoln, the 100th anniversary of the founding of the Ballets Russes, the 150th anniversary of the birth of Sir Arthur Conan Doyle, and the 300th anniversary of the birth of Samuel Johnson — and all four will be celebrated at Houghton Library.
Up in the eaves of Paine Music Hall, professor of music Hans Tutschku is hard at work composing in a setting that would make Mozart’s head spin. The space is small but packed with equipment: computer monitors, eight loudspeakers, a turntable, and several mixers and synthesizers with enough levers to land a 747.
How — exactly — does improvisation happen? What’s involved when a musician sits down at the piano and plays flurries of notes in a free fall, without a score, without knowing much about what will happen moment to moment? Is it possible to find the sources of a creative process?
When Yvonne Rainer and her fellow dancers took to the stage in the early 1960s, their performances were like nothing American audiences had ever seen. First, there were no costumes. Performers wore T-shirts, casual pants, and sneakers. In place of elaborate leaps and twirls, the dancers engaged in everyday movements like running, climbing, and even falling. And there was little to no emotional drama. The focus was on the body: unadorned, physical, and pure. Rainer — choreographer, dancer, and visionary — had sparked a revolution.
Steve Seidel, the Patricia Bauman Arts in Education professor at the Harvard Graduate School of Education (HGSE), received the Crystal Quill Award from the Shakespeare Festival/LA Nov. 20 in Los Angeles. The Shakespeare Festival/LA is an arts organization that uses professional theater traditions to “enchant, enrich, and build community.”
Can parents raise moral children without religion? Greg Epstein M.T.S. ’07 thinks so. He’s the Humanist chaplain at Harvard, and has just finished writing a book due out next fall. Its title: “Good Without God.”
Sun Joo Kim’s laugh is as easy as it is infectious. Her cheery nature no doubt comes in handy when she’s conducting her intensive research in three complex languages.
As a graduate student at Oxford, Gwyneth Lewis wrote her dissertation on 18th century literary forgery. But as a working poet for three decades — and this year as a Radcliffe Fellow — she is as far from that fraud as conceivable.
Harvard Art Museum announced the establishment of the Patricia Cornwell Conservation Scientist position at the museum’s Straus Center for Conservation and Technical Studies. Funded by a $1 million commitment from best-selling author Patricia Cornwell, the Cornwell Conservation Scientist will play a key role in the analytical laboratory and beyond.
For the first time in a generation, urban policy is back on the national agenda. Advocates for the nation’s cities have been thrilled by the announcement that the Obama administration will include a White House Office of Urban Policy.
Chinua Achebe, the esteemed Nigerian novelist and poet, delivered this year’s Distinguished African Studies Lecture at the Center for Government and International Studies (CGIS). Greeting the standing-room-only crowd in Tsai Auditorium earlier this week (Nov. 17), Achebe surprised the group by announcing that he had an unusual program in mind.
Paul Chan is soft-spoken, but his words are heavy. Carefully chosen, they offer an insight into his reflective process and the weighty implications of his work.
Not long ago, Harvard cultural anthropologist Marla Frederick sat on a wooden bench in a slum of Kingston, Jamaica. She was interviewing local churchgoers about the Christian “prosperity gospel” often promoted by American televangelists. It offers up a simple (and controversial) idea: The more you give, the more you receive.
John Adams ’69, A.M. ’72 returned to Harvard on Nov. 17, where he attended a performance of his piece by Harvard’s Bach Society Orchestra (a group he led in the 1960s) at the New College Theatre.
In a stately room in the Barker Center, flanked by portraits of famous men, Billie Jean King holds court. Not physically. She’s the topic of discussion, the name on everyone’s lips. One would think this were the after party of her notorious 1973 “Battle of the Sexes” tennis match with Bobby Riggs, the match she won and changed the face of women’s sports — and feminism — forever.
Theirs was an unlikely friendship. One man was a black abolitionist, orator, and journalist who had been a slave from Maryland, the other a white politician from the backwoods of Kentucky, Indiana, and Illinois.
As a young boy, Richard Wolf, professor of music, liked to sit at the piano in his grandparents’ home and invent short musical ditties. “My grandfather would listen and shout, ‘Oh! It’s Bach! Oh, just like Mozart!’” Wolf recalled recently, with a laugh. “He was wonderfully encouraging.”
Helen Vendler knows a thing or two about William Butler Yeats. She has authored three books on the Irish poet’s work, including her most recent volume, “Our Secret Discipline: Yeats and Lyric Form,” published in 2007.
Tommie Shelby’s airy office in the Barker Center is piled with papers. His desk is a blanket of white. Books and academic journals litter the floor. The look is, in a word, chaotic. The scholar is anything but.
In the late 1920s, with the advent of new technology, gramophone and “talking machine” companies were able to capture the sounds and rhythms of life in cities across the globe. From New York to Havana, Paris to Honolulu, labels like Victor, Gramophone Company, and Okeh competed to record vernacular music.
HCL Communications It’s been said great art often grows out of tragedy — in the case of Yaddo, an artists’ retreat in upstate New York founded in 1900, tragedy spurred the creation of hundreds of great works of art.
Featured series 
Gallery
