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Cooper Gallery and Busch-Reisinger Museum among best exhibitions in U.S.

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Cooper Gallery and Busch-Reisinger Museum among best exhibitions in U.S.

Growth of the Crystals II by Willi Baumeister, 1947/52. The first exhibition of its kind, Inventur examines the highly charged artistic landscape in Germany from the mid-1940s to mid-1950s. Taking its name from a 1945 poem by G¸nter Eich, the exhibition focuses on modern art created at a time when Germans were forced to acknowledge and reckon with the atrocities of World War II and the Holocaust, the countryís defeat and occupation by the Allies, and the ideological ramifications of the fledgling Cold War

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Cooper Gallery and Busch-Reisinger Museum among best exhibitions in U.S.

"Growth of the Crystals II" by Willi Baumeister, 1947/52 from the HAM exhibition "Inventur—Art in Germany, 1943–55." Jon Chase/Harvard Staff Photographer

“Inventur—Art in Germany, 1943–55” at the Harvard Art Museums and “Nine Moments for Now” at the Cooper Gallery were both among Hyperallergic’s top 20 exhibitions across the United States this year.

Hyperallergic, which promotes itself as a forum for playful, serious, and radical perspectives on art and culture, said that this year’s best exhibitions focused on visualizing identity and community.

That can certainly be said of both Harvard exhibitions.

Multiple pieces from "Inventur—Art in Germany, 1943–55"

Photo courtesy of Harvard Art Museums

Black and white photo of woman crying

From "Nine Moments for Now" photographs from the funerals of Freddie Gray (2015), Emmett Till (1955), and Michael Brown (2014).

Stephanie Mitchell/Harvard Staff Photographer

Dell Marie Hamilton, the curator of “Nine Moments for Now,” said the exhibition is about answering the question “What does winning look like?” in the wake of #BlackLivesMatter and #TimesUp. “In all transformative movements, artists, thinkers and writers have been at the forefront of creating meaningful responses to social engagement, civic discourse, and political speech,” she says in the introduction to the exhibition program.

“Inventur,” which was also named “best modern show” by the Boston Globe, focused on modern art created at a time when Germans were forced to acknowledge and reckon with the atrocities of World War II and the Holocaust, the country’s defeat and occupation by the Allies, and the ideological ramifications of the fledgling Cold War. Lynette Roth, the exhibition curator, said about the public reception, “A lot of visitors told me that they came multiple times and that — even though they weren’t initially familiar with the artists, or didn’t even know the significant role that art played in the immediate postwar period in Germany — the artwork (and the exquisite eclecticism that defined it) resonated with them. You can’t ask for more than that as a curator.”

Exhibition curator's Dell Marie Hamilton (left) and Lynette Roth (right).

Photos by Jon Chase and Stephanie Mitchell/Harvard Staff Photographer

“Nine Moments for Now” will reopen from Jan. 2 until Jan. 21, 2019 at the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center for African and African American Research.

“Inventur” closed on June 3, 2018. “The Bauhaus and Harvard,” opening Feb. 8, 2019, will have objects from the Busch-Reisinger Museum, and will be curated by Laura Muir. Visit the Harvard Art Museum’s website to see all the current exhibitions they have on display.

From "Inventur—Art in Germany, 1943–55" (left) "The Shop Window" by Louise Rosler, 1948. From "Nine Moments for Now" (right) "Idyll of the South: Root of Jesse," 2016, and "Idyll of the South: Portrait of Aunt Mary," 2018, by Ekua Holmes.

Photos by Jon Chase and Stephanie Mitchell/Harvard Staff Photographers

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