{"version":"1.0","provider_name":"Harvard Gazette","provider_url":"https:\/\/news.harvard.edu\/gazette","author_name":"gazettebeckycoleman","author_url":"https:\/\/news.harvard.edu\/gazette\/story\/author\/becolema-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-3\/","title":"Harvard Art Museums\u2019 Kara Walker work on view","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DYW5KDisz1\"><a href=\"https:\/\/news.harvard.edu\/gazette\/story\/2019\/03\/harvard-art-museums-kara-walker-work-on-view\/\">At Art Museums, a new Kara Walker work<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/news.harvard.edu\/gazette\/story\/2019\/03\/harvard-art-museums-kara-walker-work-on-view\/embed\/#?secret=DYW5KDisz1\" width=\"600\" height=\"338\" title=\"&#8220;At Art Museums, a new Kara Walker work&#8221; &#8212; Harvard Gazette\" data-secret=\"DYW5KDisz1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/news.harvard.edu\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/news.harvard.edu\/gazette\/wp-content\/uploads\/2019\/02\/030119_Walker_014_2500.jpg","thumbnail_width":2500,"thumbnail_height":1667,"description":"Two years ago, the Harvard Art Museums purchased \u201cU.S.A. Idioms,\u201d a massive collage and drawing by the contemporary artist Kara Walker, who first rocked the art world in 1994 with silhouettes that evoked the horrors of slavery and its lasting impact. The work is now on display along with a few of Walker\u2019s other pieces."}