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<oembed><version>1.0</version><provider_name>Harvard Gazette</provider_name><provider_url>https://news.harvard.edu/gazette</provider_url><author_name>gazetteimport</author_name><author_url>https://news.harvard.edu/gazette/story/author/gazetteimport/</author_url><title>Late bloomer &#x2014; Harvard Gazette</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="IZkMdXc49Z"&gt;&lt;a href="https://news.harvard.edu/gazette/story/2004/07/late-bloomer/"&gt;Late bloomer&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://news.harvard.edu/gazette/story/2004/07/late-bloomer/embed/#?secret=IZkMdXc49Z" width="600" height="338" title="&#x201C;Late bloomer&#x201D; &#x2014; Harvard Gazette" data-secret="IZkMdXc49Z" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>As the author of several highly respected works of architectural history, William J.R. Curtis receives many new volumes for review, a good portion of them large-format books filled with photographs and reproductions. While he is not always impressed with these tomes as works of scholarship, he does appreciate the packaging they come in, the corrugated containers, the sheets of mottled industrial cardboard, the plain brown wrappers.</description><thumbnail_url>https://news.harvard.edu/gazette/wp-content/uploads/2004/07/shadows-450-2.jpg</thumbnail_url></oembed>
