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</html><description>In a windowless room in the Eda Kuhn Loeb Music Library, Kaylie Ackerman sits amid an array of electronic paraphernalia that looks as if it might have been lifted from the bridge of a Klingon starship. The soundproof walls undulate with puckers of dark gray sponge. Intently tracking a sine curve on the computer screen before her, Ackerman lightly touches her keyboard. From somewhere in the darkness, music pulses forth: Duke Ellington's Sultry Serenade, circa 1947.</description><thumbnail_url>https://news.harvard.edu/gazette/wp-content/uploads/2002/02/15-archive1-450-11.jpg</thumbnail_url></oembed>
