La’Toya Princess Jackson, a master’s of liberal arts candidate in dramatic arts, takes a main role, and learns more than just her part.
Oula Alrifai, A.M. ’19, and her brother, Mouhanad Al-Rifay, are releasing “Tomorrow’s Children,” a documentary about Syrian child refugees trying to survive in Turkey.
The composer for “La La Land” met his Hollywood collaborator, Damien Chazelle, and charted his musical path while at Harvard.
“WARHOLCAPOTE” draws from 75 hours of conversations between Andy Warhol and Truman Capote recorded during the 1970s, when they discussed everything from the trials of fame to using their talks to create their own Broadway show.
Harvard sophomore Ashley LaLonde auditioned for a role in “Hamilton” and landed one in the American Repertory Theater production “Burn All Night.”
As Harvard’s Theater, Dance & Media specialty turns 2 this spring, it graduates its first concentrators.
Actor Matt Damon, former Harvard College student and winner of the 2013 Harvard Arts Medal, talks of his time on campus, his lifelong desire to be an actor, and how a College playwriting course assignment later turned into the Academy Award-winning screenplay for "Good Will Hunting."
Three documentary filmmakers up for an Academy Award this Sunday all have ties to Harvard’s Department of Visual and Environmental Studies, a longstanding, multidisciplinary program with a strong commitment to nonfiction film.
With a show on Broadway, artist-in-residence Jason Robert Brown explains his craft.
“Art is a coalescing, unifying force,” says Christine Dakin, addressing the students gathered for her weekly seminar at the Harvard Dance Center. A glance around the room confirms her statement — Dakin’s students represent a cross-section of Harvard that could not be more diverse. They are performance artists, neurobiologists, and economists. They come from several of Harvard’s Schools. They range in age, dance experience, and academic background. But all are bound together by a single work of art — Igor Stravinsky’s “The Rite of Spring,” the famed ballet that has captivated and confounded listeners since it first premiered in 1913.
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Harvard’s new director of the OFA Dance Program, Jill Johnson, brings a love of movement and a boundless curiosity to the post and a desire to connect her disciplines to a range of academic pursuits.
It is the 50th anniversary of “Dead Birds,” the groundbreaking documentary of a Stone Age tribe that survived into the 20th century. Its creator was Robert Gardner, longtime director of the Film Study Center.
Damian Woetzel was honored with the Harvard Arts Medal in a ceremony Thursday at Farkas Hall.
Generations of Harvard alumni came together on campus last weekend to celebrate the arts as a dynamic part of the University’s curriculum.
The writing of culture watcher and critic Louis Menand — Harvard’s Anne T. and Robert M. Bass Professor of English — has cast a wide net over the years.
Performed entirely in silence, the modern dance piece "Catalogue (First Edition)" perfectly complemented the library and museum stages where noise is kept to a minimum.
Conan O’Brien spoke with President Drew Faust about how his humanities education made him one of TV’s most successful comedians.
For the past three years, a Harvard College junior has employed statistics and percentages to predict many winners at the Academy Awards.
Caleb Thompson collaborated with Emmy-winning screenwriter Loring Mandel to bring the 2001 TV film “Conspiracy” to Harvard.
In the current political climate, using humor as a legitimate form of discourse is on par with scholarly essays and newspaper op-eds.
Harvard Medical School’s Jonathan Beckwith has used his course “Social Issues in Biology” to teach students about the societal implications of science, and now he is collaborating with a Harvard alum Calla Videt to bring his message to the stage.
Actors Matt Damon and John Lithgow met at Sanders Theatre on Thursday for a spirited conversation that kicked off Harvard’s annual Arts First celebration.
New concentration brings excitement by merging three disciplines and capitalizing on Harvard’s vast creative resources.
“Trans Scripts, Part I: The Women,” now at the A.R.T., is drawn from more than 75 interviews conducted by writer-producer Paul Lucas.
In visit to Harvard, Ken Burns previews part of his film designed to "unpack" the Vietnam War.
A photo gallery examines the Harvard Theatre Collection , which was founded in 1901, making it one of the oldest collections of its kind in the world.
"Arrabal," a new American Repertory Theater show with a book by Harvard graduate John Weidman explores the brutal years of Argentina’s military dictatorship through tango and music.
Harvard neurologist Howard Weiner is winning praise as a film director for his feature “The Last Poker Game.”
Harvard Film Archive has programmed films by Oscar winner Kathryn Bigelow and others for its “Night of the Vampire.”
“Breaking Boundaries: Arts, Creativity and the Harvard Curriculum” was featured at Arts @ 29 Garden, which is an interdisciplinary space where Harvard faculty, students, and visiting artists come together to make art that enhances, embodies, and re-imagines learning.
For the holiday season, the American Repertory Theater is staging “The Light Princess” by George MacDonald, the offbeat story of a girl who, unlike in other fairy tales, saves the prince.
Harvard’s Office for the Arts Director Jack Megan isn’t just a supporter of artistic talent, he’s a talented artist himself. Megan and his brother Tom co-wrote the musical “The Kid Who Would Be Pope,” which won the Richard Rodgers Award for emerging theatrical talent and is having a stage reading off-Broadway.
A comprehensive collection of material at Houghton Library shines a light on the life and work of Tennessee Williams.
In a question-and-answer interview, New York Times film critic and Harvard alumnus A.O. Scott explains his craft, and how he came to it.
Actors Ali MacGraw and Ryan O'Neal returned to Harvard to revisit the scene of their iconic movie "Love Story."
College seniors opt to have fun, be themselves, and leave comfort zones through their participation in the Expressions Dance Company.
Lighting designer Jen Schriever talks about her vision for the A.R.T.’s adaptation of the Sarah Waters novel “Fingersmith.”
Harvard scholars weigh in on the range of factors that have made “Casablanca” one of the most beloved movies in history.
Diane Paulus honors Harvard’s legacy of artists with an evening of entertainment.
Composer-pianist Nicholas Britell ’03 will celebrate with Harvard friends this weekend as his score for “Moonlight” competes for the Oscar for best original score.
The Bok Center Players specialize in thought-provoking theater examining race, gender, and identity.
There was no debating the glamour of the Harvard Foundation’s black-tie, red-carpet premiere of “The Great Debaters,” starring and directed by Denzel Washington, at the Harvard Film Archive at the Carpenter Center. Close to 200 students, faculty, and staff attended the Dec. 18 premiere, which was followed by a lively question-and-answer session with Washington and his wife, Pauletta, a Juilliard-trained pianist and vocalist.
Pulitzer Prize-winning playwright Tony Kushner, author of the celebrated “Angels in America: A Gay Fantasia on National Themes,” delivered the Tanner Lectures at Harvard last week (April 9-11).
As a liberal arts college, Harvard doesn’t train its students for jobs in Hollywood. But student clubs, a liaison network, and individual drive prompt some toward entertainment careers, a fact reflected in this year’s Oscar nominees.
A Cambodian filmmaker, now a Scholar at Risk at Harvard, looks back at “Enemies of the People,” his documentary on Cambodia’s killing fields of 1975-79.
Film critic A.O. Scott spoke with the Gazette about the current crop of Oscar contenders, and Hollywood’s trends.
The Harvard South Asian Association’s annual arts showcase, called Ghungroo, is a complex coordinated production that draws hundreds of student performers and delighted classmates in the audience.
Singer-songwriter Sara Bareilles is returning to her musical-theater roots as the composer of “Waitress,” which opens at the American Repertory Theater this weekend.
Diane Quinn has been named executive director of the American Repertory Theater, Harvard University and the Board of Trustees of the A.R.T. announced on Nov. 9.
Peter Galison and Robb Moss’ documentary “Containment” is an unflinching look at the challenges of nuclear waste disposal.