Dawoud Bey’s photographs of the keystone, changing neighborhood of Harlem are part of a new Cooper Gallery exhibit.
A new exhibit marking JFK’s centennial includes an audio file believed to be the earliest voice recording of the future president.
Diane Paulus honors Harvard’s legacy of artists with an evening of entertainment.
A photo gallery examines the Harvard Theatre Collection , which was founded in 1901, making it one of the oldest collections of its kind in the world.
Performed entirely in silence, the modern dance piece "Catalogue (First Edition)" perfectly complemented the library and museum stages where noise is kept to a minimum.
Terence Davies, director of the new Emily Dickinson biopic "A Quiet Passion" talks with The Gazette about his challenges in making movies, his artistic kinship with Dickinson, and what drew him to her deeply internal, isolated life.
Arab-American artist Helen Zughaib tells the story of the Middle East’s spate of revolutions with brightly colored paintings in her latest exhibit, “Arab Spring/Unfinished Journeys.”
A new library exhibit will explore the 350-year-old relationship between the U.S. military and Harvard University.
Pianist and composer Randy Weston visits campus on the eve of Harvard acquiring his personal archive.
“The Art of Discovery,” an exhibit in Radcliffe’s Johnson-Kulukundis Family Gallery, includes work by 13 current fellows.
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Photojournalist Randy H. Goodman was America’s eyes during the Iran hostage Crisis in 1980. Now, after a return trip in 2015, her exhibit “Iran: Women Only” is on display at CGIS Knafel.
The Harvard metaLAB, a design studio and creative research lab affiliated with the Berkman Center for Internet & Society, reaches across disciplines to create new multimedia projects.
The annual Arts First festival showcased many forms of imaginative expression and creativity across Harvard.
In his weekly 90-minute lectures, Professor Robin Kelsey brings historical awareness and contextual experience to 13 technologies that have transformed visual communication.
A selection of Mount Auburn Cemetery's evocative funerary sculptures and monuments is the subject of a new book by Meg Winslow and Harvard’s Melissa Banta.
Artist Shahryar Nashat uses video, sound, and shapes to “intervene” in the space designed by Le Corbusier, while connecting his work with "Private Practice" inside Harvard Art Museums. The goal of the exhibits is to bring together these two gallery spaces as a result of this unique collaboration.
The website of the Colonial North American Project so far includes 150,000 images of diaries, journals, notebooks, and other rare documents from the 17th and 18th centuries.
Harvard’s South Asia Institute (SAI) is hosting an exhibit and fundraiser to help the country of Nepal and its people rebuild after the devastating ...
A growing Harvard collection documents life and propaganda in the controversial, short-lived Asian state of Manchukuo.
An exhibit at Pusey Library demonstrates how the first Harvard class photograph albums evolved. In the antebellum 19th century, photography was young, image technologies were changing fast (often with Boston practitioners in the lead), and Harvard students began adding the visual to the repositories of memory that for centuries had been dominated by text.
With help from a Harvard grant and a class on the ancient Near East, Harvard students are re-creating casts of Mesopotamian masterpieces.
On a commission from the Harvard Art Museums, Mexican artist Carlos Amorales created “Triangle Constellation” to hang above the Calderwood Courtyard.
Film critic A.O. Scott spoke with the Gazette about the current crop of Oscar contenders, and Hollywood’s trends.
The Harvard Semitic Museum, hosting a retrospective exhibit on its long history and founder David Gordon Lyon, is refurbished, reordered, and increasingly ready for the future.
A comprehensive collection of material at Houghton Library shines a light on the life and work of Tennessee Williams.
Harvard historian discusses the topic of her latest book, “The Secret History of Wonder Woman.”
The renovated and expanded Harvard Art Museums reopen on Nov. 16 with a new building designed by Italian architect Renzo Piano that unites the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum under one shining glass roof.
Pusey Library exhibit “Lives of the Great Patriotic War” is a multimedia glimpse at surviving Jewish veterans whose presence in the Red Army is a little-known story.
“From the Alps to the Ocean: Maps of the Western Front,” at Pusey Library through Nov. 11, captures the magnitude and destructive momentum of World War I.
A new exhibit at the Houghton Library, “InsideOUT: Contemporary Bindings of Private Press Books,” showcases artistic and innovative approaches to the traditional craft of bookbinding, reminding viewers that books are not just text.
A look back at Harvard’s role in World War I, from the men and women who entered as volunteers after the first shot was fired to the thousands of graduates and students who joined the fighting in the American phase of the conflict.
Earlier this year, photograph conservators from the State Hermitage Museum in St. Petersburg, Russia, visited Harvard and shared some treasures held by the Hermitage, many never before seen in the West. Recently, they shared several of these images in digital format.
A new exhibit at the Business School illustrates the rise in America of artful, profit-making, culture-shaking advertising from 1865 to 1910.
Abstract artist Mark Rothko’s series of Harvard murals will be displayed in November using a digital technology that casts light on the paintings to restore their faded colors.
At the Harvard Art Museums, a long-hidden mural is both an example of the true fresco technique and a dramatic reflection of the times. It will be on permanent display when the museums reopen this fall.
Unbound Visual Arts, a nonprofit based in Allston-Brighton, has organized an exhibit in the Harvard Allston Education Portal.
In an inaugural exhibition from the Harvard University Archives, staffers bring a few dozen awesome oddities into the light of day.
A music professor and director of Harvard’s Studio for Electroacoustic Composition is indulging his fascination with the visual arts as part of a fellowship at the Radcliffe Institute. Hans Tutschku is showing a series of photographs created in collaboration with students from Harvard’s Office for the Arts Dance Program.
Judy Chicago speaks about feminism and art education at the Radcliffe Institute. A video of the discussion is available.
Harvard’s Villa I Tatti, a treasure of Italian Renaissance scholarship since 1961, has launched an oral history site on its origins with Bernard Berenson, Class of 1887, and its transition from villa to a center for scholars.
For the holiday season, the American Repertory Theater is staging “The Light Princess” by George MacDonald, the offbeat story of a girl who, unlike in other fairy tales, saves the prince.
Long, tall, short, and small, the signatures of the famous are housed in many Harvard albums and archives.
At the Battle of Gettysburg, Harvard men faced Harvard men, as 11 Union soldiers and three Confederates were killed.
With the 150th anniversary of the Gettysburg Address near, five Harvard scholars offered their views on the history, language, and legacy of Abraham Lincoln’s short but searing speech.
A Davis Center photo exhibit — wrenching and frank — brings back the 872-day Siege of Leningrad through the eyes of women who survived it.
Harvard is part of planning for a long-term project to digitize documents related to Colonial North America, and has partners from a growing coalition of libraries in the United States and Canada.
It is the 50th anniversary of “Dead Birds,” the groundbreaking documentary of a Stone Age tribe that survived into the 20th century. Its creator was Robert Gardner, longtime director of the Film Study Center.
A panel discussion introduced an exhibit of photos from the Paris World’s Fair of 1900 that shows African-Americans as they wished to be depicted, not as a discriminatory American society would have had them be.
We get close to long-dead great writers by reading the works they left behind. But there is another way, which can be just as electric and emotional: to see or touch or just be near artifacts from their writing lives.
The Office for the Arts’ Ceramics Program, one of Harvard’s longest and most celebrated, moved this month from its home of 26 years at 219 Western Ave. in Allston just a few blocks down to 224.