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HARVARD GAZETTE ARCHIVES
A Healthy Mix of Medicine and Music Making
Jean Gauthier of UHS displays her rediscovered love of music on recent CD
By Roberta Gordon
Special to the Gazette

Jean Gauthier took a temporary job at University Health Sevices by chance
in 1986 after turning away from the music world, and by 1992, she had
become the health assistant supervisor in the Internal Medicine
Department, a key position. But her love for music never completely died,
and she has finally brought music back into her life with the recent
release of a CD. About her position at UHS she says, "It's funny and
ironic. I've always had an aversion to medical things. I think I have a
need to be compassionate with people." Photo by Susan Wilson.
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Yours in Spirit, Jean Gauthier's first recording, proves
that you should hold onto your dreams -- for a very long time.
Twelve years ago, this University Health Services administrator left a
career in music, burnt out and disenchanted. For years afterward she
didn't sing a note. Last fall, though, Gauthier brought out her
first CD, Yours in Spirit, on which she performs 10 songs that
she composed in a rush between February and June of last year.
"How Can It Be So Long?" is the title of the first song.
In a hearty blues contralto, Gauthier sings of hope, love, and loss:
"Letting Go, Holding On," as one of the song titles puts it.
One of the loveliest songs, "Daughter of My Own Sister," is
dedicated to her 10-year-old niece. This singer considers herself a
better lyricist than composer, and her dramatic delivery of miniature
moral and emotional lessons ("Keep Some Cowgirl in Your
Heart," for example, is another song title) has won her a
devoted following.
Gauthier started out as a drama major at a community college in
her native New York state, joined a band there and started singing
solos, then moved to Boston in 1975, when there was still an active
folk music scene here. After working in it for a few years, she felt
she needed to develop vocally, so she enrolled at the Berklee School
of Music. It was probably a mistake.
"I definitely felt alone and alienated from the other
students," Gauthier says. She went into Berklee strong and
confident, but left with the thought, "I'm not sure I have
the kind of talent I had when I went in." She did get some
excellent coaching, but Berklee in the 1980s was heavily male-
dominated -- she was often the only woman in class. And, at 30, she
was much older than the other students. She soldiered on in the
music business for a while after she finished her degree and then,
discouraged, gave up. She took a temporary job at University Health
Services (UHS) in 1986 because a friend happened to be there.
Then her father died. Her music almost died with him. "I
inherited my love of music from my dad," Gauthier says.
"His death was too close to my music, because he was the
source of my feelings in music." She stopped playing, publicly
and privately.
In 1990, she made an attempt to bridge her two worlds,
organizing a music program for long-term elderly patients in the
infirmary on the top floor at UHS, but there wasn't much of a
need and the program lasted only a few months.
The job Gauthier had taken by chance became permanent. By
1992, she had become the health assistant supervisor in the Internal
Medicine Department, a key position. She oversees the running of the
clinic and mediates among clinicians, support staff, and
administrators. She still says she doesn't know how she ended
up in medicine. "It's funny and ironic," she says.
"I've always had an aversion to medical things. I think I
have a need to be compassionate with people."
The turning point came in 1994, when Gauthier joined the
Batucada Belles, a women's percussion marching band with an
Afro-Brazilian sound. "We're at every event where music
is needed to give energy," she says.
She'd had her eye on the band for a long time, but there had
never been an opening. And she had always loved percussion. When
the band invited her to play the agogo bell, suddenly she started
experiencing music the way kids do -- she could play and have fun
unselfconsciously. It had taken Gauthier seven years to re-enter the
music world and to find the joy she had lost.
Her UHS colleagues have been very supportive of Gauthier's
musical career. She has given two concerts at Monks Library on the
second floor of the Health Center. Her colleagues are also enthusiastic
buyers of her CD. "I love the people I work with," she
says.
Gauthier can be heard in Boston on WERS, the Emerson College FM
station, which showcases local talent, and WUMB, primarily a folk
music station. She is currently performing in "open mike"
shows at Club Passim and Soho, both in Cambridge, the sort of gigs
she did when she first started out.
"As soon as I got back into music, my whole life
blossomed," she says. "Now I trust my gut. I never want
to get into professional music again or get caught up in perfectionism,
forgetting the heart of music. It's not technique. It's not
how many people bought your CD.
"Why you begin in music," she says, "is to share
music with people."
Yours in Spirit may be purchased at New Words Bookstore in
Cambridge or by sending $15 to: Jean Gauthier, P.O. Box 382487,
Cambridge, MA 02238-2487.
Copyright
1999 President and Fellows of Harvard College
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