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HARVARD GAZETTE ARCHIVES
$50,000 NEA Grant Goes to Art Museums
The University Art Museums has received a $50,000 grant from the National
Endowment for the Arts (NEA) in support of the special exhibition "KOTAH:
Its Gods, Kings, and Tigers," scheduled to open in fall 1997.
"At a time when the NEA is little appreciated, receipt of this grant
should remind us all of the crucial role the Endowments play in our national
cultural life and in the production of important scholarship," said
James Cuno, Elizabeth and John Moors Cabot Director of the University Art
Museums. "We are honored to have received this generous special exhibitions
grant."
The exhibition, organized by the University Art Museums and the Asia Society,
New York, is the first in the United States devoted to artistic production
from a single Rajput court. The exhibition will include 68 paintings and
10 objects from the Royal Collections of the former state of Kotah, one
of the most prolific artistic centers in north India from the 17th to the
19th centuries. The exhibition will explicate these visual arts of Kotah
through historical, religious, anthropological, and art historical perspectives.
As the first comprehensive and multidisciplinary presentation of visual
arts from a single Rajput court, this exhibition will serve as a paradigm
for future investigations of art and culture in pre-modern India. "KOTAH:
Its Gods, Kings, and Tigers" is curated by Stuart Cary Welch, curator
of Islamic and later Indian art Emeritus. The exhibition will tour internationally.
Visual arts from medieval India are important sources for understanding
the dynamic processes of cultural formation, particularly when two ethnically
and religiously distinct communities nourish each other's art forms through
cultural symbiosis. Paintings and objects from the royal court of Kotah
offer unique evidence for this process of cultural formation as it took
place between Hindu Rajput kingdoms of western India and their sometime
sovereigns, the Muslim Mughal emperors ruling from Delhi. Contrary to notions
that Indian art is forever unchanging, artistic production from Kotah demonstrates
that visual culture of pre-modern India was continually being reshaped through
dynamic interaction between different political, religious, and cultural
forces.
"KOTAH: Its Gods, Kings and Tigers" will trace this dynamic process
of cultural formation as evident in the visual arts from one Hindu kingdom
by tracing the origins and development of visual arts at Kotah from the
kingdom's founding in the early 17th century through the mid-19th century,
when Kotah was culturally incorporated into the larger world of colonial
India.
The timing of "KOTAH: Its Gods, Kings, and Tigers" is fortuitous
since it will coincide with the fiftieth anniversary of India's independence
and will therefore be an occasion for reflection on India's pre-modern past
in which Rajput rulers played an important cultural role. The exhibition
will be accompanied by a fully illustrated catalogue and extensive educational
programs.
For information on the University Art Museums, call 495-9400.
Copyright
1998 President and Fellows of Harvard College
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